Bal, M. G. (1998). Looking at the other side with Lili Dujourie. In I. Kockelbergh, & B. Vanderlinden (Eds.), The fascinating faces of Flanders : 58\98 Two hours wide or two hours long (pp. 188-192). City of Antwerp.
Bal, M. G. (1998). David Reed's # 275: a story of erotic vision. In E. Armstrong (Ed.), David Reed paintings : motion pictures (pp. 36-49). Museum of Contemporary Art.
Bal, M. G. (1998). A meagre one thousand words for Stefan Germer. Texte zur Kunst, 8(31), 43-45.
Bal, M. G. (1998). Intellectual traditions in movement. (ASCA Brief; No. 3). ASCA.
Bal, M. G., & Hartvig, G. (1998). Introduction: balancing vision and narrative: látvány és narrativa egyensúlya. (Narratívak; No. 1). Kijarat.
Paalvast, P. A. W. M. (1998). Kunst & cultuur als nieuws: Het aanbod van kunst en cultuur in actualiteitenprogramma's op Nederland 3. [Thesis, externally prepared, Universiteit van Amsterdam].
Bal, M. G., & Rust, S. F. (1998). Schweben zwischen Gegenstand und Ereignis: Begegnungen mit Lili Dujourie. Fink.
Bal, M. G. (1998). Jeanette Christensen's time. Centre for the Study of European Civilization.
Bal, M. G. (1998). Seeing Signs: The use of Semiotics for the Understanding of Visual Art. In M. A. Holly, M. A. Cheetham, & K. Moxey (Eds.), The Subjects of Art History: Historical Objects in Contemporary Perspectives (pp. 74-93). Cambridge University Press.
Bal, M. G. (1998). Schweben zwischen Gegenstand und Ereignis: Begegnungen mit Lili Dujourie. Kunstverein Munchen.