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Results: 39
Number of items: 39
  • Stols-Witlox, M. (2016). Flour and starch in preparatory layers for oil painting: Reconstructions based on historical recipes (sixteenth to nineteenth centuries). In A. Wallert (Ed.), Painting Techniques: History, materials and studio practice : 5th international symposium (pp. 79-84). Rijksmuseum.
  • Albrecht, M., & Stols-Witlox, M. (2016). Small is beautiful: Lead white in fine particle size. In A. Wallert (Ed.), Painting Techniques: History, materials and studio practice : 5th international symposium (pp. 133-137). Rijksmuseum.
  • Stols-Witlox, M. (2015). 'By no means a trivial matter': The influence of the colour of grounds layers on artists’ working methods and on the appearance of oil paintings, according to historical recipes from North West Europe, c. 1550-1900. Oud-Holland, 128(4), 171-186. https://doi.org/10.1163/18750176-90000218
  • Iedema, P. D., Hermans, J. J., Keune, K., van Loon, A., & Stols-Witlox, M. J. N. (2014). Mathematical modeling of mature oil paint networks. In J. Bridgland (Ed.), Building strong culture through conservation: preprints ICOM-CC 17th Triennial Conference: 17-19 September 2014, Melbourne, Australia (pp. 1604). International Council of Museums.
  • Open Access
    Stols-Witlox, M. J. N. (2014). Historical recipes for preparatory layers for oil paintings in manuals, manuscripts and handbooks in North West Europe, 1550-1900: analysis and reconstructions. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Hermans, J. J., Keune, K., van Loon, A., Stols-Witlox, M. J. N., Corkery, R. W., & Iedema, P. D. (2014). The synthesis of new types of lead and zinc soaps: a source of information for the study of oil paint degradation. In J. Bridgland (Ed.), Building strong culture through conservation: preprints ICOM-CC 17th Triennial Conference: 17-19 September 2014, Melbourne, Australia (pp. 1603). International Council of Museums. http://www.icom-cc2014.org/docs/content/Melbourne_Table_of_Contents.pdf
  • Stols-Witlox, M. (2012). Grounds, 1400-1900. In J. Hill Stoner, & R. Rushfield (Eds.), Conservation of easel paintings (pp. 161-185). (Routledge series in conservation and museology). Routledge.
  • Open Access
    Stols-Witlox, M., Megens, L., & Carlyle, L. (2012). 'To prepare white excellent...': reconstructions investigating the influence of washing, grinding and decanting of stack-process lead white on pigment composition and particle size. In S. Eyb-Green, J. H. Townsend, M. Clarke, J. Nadolny, & S. Kroustallis (Eds.), The artist's process: technology and interpretation (pp. 112-129). Archetype. http://www.clericus.org/atsr/postprints4.htm
  • Stols-Witlox, M. (2011). Historical restoration recipes: the cleaning of paintings 1600-1900. In J. Bridgland (Ed.), ICOM-CC: 16th Triennial Conference, Lisbon, 19-23 September 2011: preprints [cd-rom] CritĂ©rio.
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