Moore, G. M. (1997). A Conrad film bibliography. In G. M. Moore (Ed.), Conrad on Film (pp. 250-259). Cambridge University Press.
Moore, G. M. (1997). Conrad's film-play Gaspar the Strong Man. In G. M. Moore (Ed.), Conrad on Film (pp. 31-47). Cambridge University Press.
Moore, G. M., & Dawson, C. (1997). Colonialism and local color in An Outcast of the Islands and Lord Jim. In O. Knowles, G. M. Moore, & J. H. Stape (Eds.), Conrad on Film (pp. 104-119). Cambridge University Press.
Moore, G. M., & Hoenselaars, A. J. M. (1997). Bzzlletin: Literair Magazine/du: Die Zeitschrift der Kultur [Review of: x x xxxx (1997) Bzzlletin/du]. James Joyce Quarterly, 34(1/2), 206-208.
Moore, G. M. (1997). A Portrait in Letters: Correspondence to and about Conrad [Review of: O. Knowles (1997) Review Portrait in Letters]. In O. Knowles, & J. H. Stape (Eds.), Unknown Rodopi.
Moore, G. M. (1997). The Outlaw Trail: A History of Butch Cassidy and His Wild Bunch [Review of: Ch. Kelly (1997) Review of The Outlaw Trail: A Hisotry of Butch Cassidy and His Wild Bunch]. In C. Kelly (Ed.), Unknown University of Nebraska Press.
Moore, G. M. (1997). Conrad's The Idiots and Maupassant's La Mere aux monstres. In G. M. Moore (Ed.), Conrad: Intertexts and Appropriations (pp. 49-58). Rodopi.
Moore, G. M., & van Marle, H. (1997). The Sources of Suspense. In G. M. Moore (Ed.), Conrad: Intertexts and Appropriations (pp. 141-164). Rodopi.
Moore, G. M. (1997). European Finery and Cultural Survival in Faulkner's Red Leaves. In H. H. Skei (Ed.), William Faulkner's Short Fiction: An international Symposium (pp. 263-268). Solum Forlag.
Moore, G. M. (1996). From Regional Bears to National Myths: The Rewriting of William Faulkner. In H. Bertens, & T. D'haen (Eds.), Writing Nation and Writing Region in America (pp. 139-144). (European Contributions to American Studies; No. XXXIII). VU University Press.