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Results: 44
Number of items: 44
  • Berrebi, S. (2011). 'Med ett positivt sinne och en pocketkamera’: Konstnären som dokumentarist. OEI, 53-54, 333-338. http://www.oei.nu/w/3.html
  • Berrebi, S. (2011). Jean-Luc Moulène: photography as training manual. Afterall, 28, 34-41. https://doi.org/10.1086/662969
  • Berrebi, S. (2011). The world in eighteen lessons: Christopher Williams. Metropolis M, tijdschrift over hedendaagse kunst, 32(2), 115-117.
  • Berrebi, S. (2011). Jean-Luc Moulènes dialektiska dokument. OEI, 53-54, 301-309. http://www.oei.nu/w/3.html
  • Open Access
    Berrebi, S. (2011). De wereld in 18 lessen: Christopher Williams. Metropolis M, tijdschrift over hedendaagse kunst, 32(2), 36-45.
  • Berrebi, S. (2010). Goats, lamb, veal, breast: strategies of organisation in Zoe Leonard's 'Analogue'. Afterall, 25, 30-37. https://doi.org/10.1086/657460
  • Berrebi, S. (2010). 'The story of Muriel cannot be told': Alain Resnais, Wendelien van Oldenborgh and How to decolonise the document. Simulacrum, 18(2/3), 98-101.
  • Berrebi, S. (2009). Over fotograferen, bouwen en borduren: een gesprek met Berend Strik = On photographing, building and stitching: a conversation with Berend Strik. In B. Strik (Ed.), Thixotropy: bewerkte, bestikte foto's = transfixed, stitched photographs (pp. 6-23). Valiz.
  • Berrebi, S. (2009). Dubuffet's myth [Review of: J. Dieudonnée, M. Jakobi (2007) Dubuffet]. Art History, 32(3), 639-642. https://doi.org/10.1111/j.1467-8365.2009.00686_5.x
  • Berrebi, S. (2008). [Review of: C.A. Jones (2005) Eyesight alone: Clement Greenberg's modernism and the bureaucratization of the senses; A.G. Marquis (2006) Art Czar: the rise and fall of Clement Greenberg : a biography]. Journal of Visual Culture, 7(1), 123-126. https://doi.org/10.1177/1470412907087204
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