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Results: 565
Number of items: 565
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Koopmans, J. (2008). Typologies of action in French farces and sotties: between short-term and long-term patterns in the history of drama. In C. Meier, B. Ramakers, & H. Beyer (Eds.), Akteure und Aktionen: Figuren und Handlungstypen im Drama der Frühen Neuzeit (pp. 403-415). (Symbolische Kommunikation und gesellschaftliche Wertesysteme; No. 23). Rhema.
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Koopmans, J. (2008). [Review of: S. Beam (2007) Laughing matters: farce and the making of Absolutism in France]. European Medieval Drama, 12, 231-234. https://doi.org/10.1484/J.EMD.1.100327
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Koopmans, J. (2008). [Review of: C. Symes (2007) A common stage: theater and public life in medieval Arras]. European Medieval Drama, 12, 237-239. https://doi.org/10.1484/J.EMD.1.100327
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Koopmans, J. (2008). [Review of: P. Butterworth (2008) The narrator, the expositor, and the prompter in European medieval theatre]. European Medieval Drama, 12, 235-236. https://doi.org/10.1484/J.EMD.1.100327
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Bouhaïk-Gironès, M. (2008). La Sottie de l’Astrologue (Paris, 1499?): contextes et polémiques autour de la figure de l’astrologue à Paris à la fin du Moyen Âge. In M. Bouhaïk-Gironès, J. Koopmans, & K. Lavéant (Eds.), Le théâtre polémique français 1450-1550 (pp. 65-75). Presses Universitaires de Rennes.
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