Bal, M. G. (2001). Auf die Haut / Unter die Haut: Barock es steigt an die Oberfläche. In P. J. Burgard (Ed.), Barock: Neue Sichtweisen einer Epoche (pp. 17-51). Böhlau Verlag.
Bal, M. G. (2001). Ecstatic aesthetics: Metaphoring Bernini. (Critical Issues series 4/2000). Artspace Visual Art Centre.
Bal, M. G. (2001). The Speculative Remark: (One of Hegel's bon mots) (Jean-Luc Nancy, tr. Céline Surprenant). (Cultural memory in the Present). Stanford University Press.
Bal, M. G. (2001). Futures: Of Derrida (Richard Rand, ed.). (Cultural Memory in the Present). Stanford University Press.
Bal, M. G. (2001). Institution and Interpretation: Expanded Edition (Samuel Weber). (Cultural Memory in the Present). Stanford University Press.
Bal, M. G. (2001). Veils (Helène Cixoux and Jacques Derrida, tr. Geoffrey Bennington, drawings by E. Pignon-Ernest). Stanford University Press.
Hazewindus, M. W. (2001). Gender-bending the Histories. Narrative reconfigurations of Herodotus' women. [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
Bal, M. G. (2001). La répétition, la tête dans les nuages/Rehearsal, Head in the Clouds. In L. Gateau (Ed.), Action, on tourne/Action, we're Filming (pp. 34-73). Villa Arson.
Bal, M. G. (2001). Voix/voie narrative: la voix métaphorée. In J.-L. Brau (Ed.), La Voix Narrative: Cahier de Narratologie, Vol. 1 (pp. 9-36). Centre de Narratologie Appliquée.
Bal, M. G. (2001). Anthropology with an Attitude: Critical Essays (Johannes Fabian). (Cultural memory in the Present). Stanford University Press.