Bal, M. G. (2001). Veils / Hélène Cixous, Jacques Derrida ; translated by Geoffrey Bennington ; with drawings by Ernest Pignon-Ernest. (Cultural memory in the present). Stanford University Press.
Bal, M. G. (2001). Skyline: The Narcissistic City (Hubert Damisch, tr. John Goodman). (Cultural memory in the Present). Stanford University Press.
Bal, M. G. (2001). In Prais of New Travelers: Reading Carribean Migrant Women Writers (Isabel Hoving). (Cultural memory in the Present). Stanford University Press.
Bal, M. G. (2001). Soundproof Room: Malraux'Anti-Aesthetics (Jean-Francois Lyotard, tr. Robert Harvey). (Cultural Memory in the Present). Stanford University Press.
Bal, M. G. (2001). Looking in: The Art of Viewing (with introduction by Norman Bryson). G & B Arts International.
Bal, M. G. (2001). Introduction: Travelling Concepts and Cultural Analysis. In J. Goggin, & S. Neef (Eds.), Travelling Concepts: Text, Subjectivity, Hybridity (pp. 7-25). ASCA Press.
Bal, M. G. (2001). Performance and Performativity. Lier en Boog, 16, 108-124.
Bal, M. G. (2001). Performance and Performitivity. In J. Huber (Ed.), Kultur - Analysen (pp. 197-241). Institut für Theorie der Gestaltung und Kunst.
Bal, M. G. (2001). Three-Way Misreading. Diacritics, 30(1), 2-24.
Bal, M. G. (2001). Enfolding Feminism. In E. Bronfen, & M. Kavka (Eds.), Feminist Consequences: Theory for the New Century (pp. 321-52). Columbia University Press.