Bal, M. G. (2001). Mise en scène: Zur Inszenierung von Subjektivität. In J. Früchtl, & J. Zimmermann (Eds.), Ästhetik der Inszenierung. Dimensionen eines künstlerischen, kulturellen und gesellschaftlichen Phänomens (pp. 198-221). Suhrkamp Verlag.
Bal, M. G. (2001). The Speculative Remark: (One of Hegel's bon mots) (Jean-Luc Nancy, tr. Céline Surprenant). (Cultural memory in the Present). Stanford University Press.
Bal, M. G. (2001). Futures: Of Derrida (Richard Rand, ed.). (Cultural Memory in the Present). Stanford University Press.
Bal, M. G. (2001). Institution and Interpretation: Expanded Edition (Samuel Weber). (Cultural Memory in the Present). Stanford University Press.
Bal, M. G. (2001). Veils (Helène Cixoux and Jacques Derrida, tr. Geoffrey Bennington, drawings by E. Pignon-Ernest). Stanford University Press.
Bal, M. G. (2001). Veils / Hélène Cixous, Jacques Derrida ; translated by Geoffrey Bennington ; with drawings by Ernest Pignon-Ernest. (Cultural memory in the present). Stanford University Press.
Bal, M. G. (2001). Skyline: The Narcissistic City (Hubert Damisch, tr. John Goodman). (Cultural memory in the Present). Stanford University Press.
Bal, M. G. (2001). In Prais of New Travelers: Reading Carribean Migrant Women Writers (Isabel Hoving). (Cultural memory in the Present). Stanford University Press.
Bal, M. G. (2001). Soundproof Room: Malraux'Anti-Aesthetics (Jean-Francois Lyotard, tr. Robert Harvey). (Cultural Memory in the Present). Stanford University Press.
Bal, M. G. (2001). Introduction: Travelling Concepts and Cultural Analysis. In J. Goggin, & S. Neef (Eds.), Travelling Concepts: Text, Subjectivity, Hybridity (pp. 7-25). ASCA Press.