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Results: 39
Number of items: 39
  • Bierings, J., Steyn, L., Stols-Witlox, M., & van den Berg, K. J. (2019). Challenges of surface cleaning paintings by Asger Jorn (1914-1973): an inventory of existing practice. In K. J. van den Berg, I. Bonaduce, A. Burnstock, B. Ormsby, M. Scharff, L. Carlyle, G. Heydenreich, & K. Keune (Eds.), Conservation of Modern Oil Paintings (pp. 363-372). Springer. https://doi.org/10.1007/978-3-030-19254-9_28
  • Stoveland, L. P., Ormsby, B., Stols-Witlox, M., Frøysaker, T., & Caruso, F. (2019). Designing paint mock-ups for a study of novel surface cleaning techniques for Munch's unvarnished aula paintings. In K. J. van den Berg, I. Bonaduce, A. Burnstock, B. Ormsby, M. Scharff, L. Carlyle, G. Heydenreich, & K. Keune (Eds.), Conservation of Modern Oil Paintings (pp. 553-563). Springer. https://doi.org/10.1007/978-3-030-19254-9_41
  • Hintz, M., van den Berg, K. J., Stols-Witlox, M., & Steyn, L. (2019). Improving the surface cleaning of water sensitive oil paint by use of alternative application methods. In K. J. van den Berg, I. Bonaduce, A. Burnstock, B. Ormsby, M. Scharff, L. Carlyle, G. Heydenreich, & K. Keune (Eds.), Conservation of Modern Oil Paintings (pp. 575-586). Springer. https://doi.org/10.1007/978-3-030-19254-9_43
  • Vergeer, M., van den Berg, K. J., van Oudheusden, S., & Stols-Witlox, M. (2019). Evolon® CR Microfibre Cloth as a Tool for Varnish Removal. In K. J. van den Berg, I. Bonaduce, A. Burnstock, B. Ormsby, M. Scharff, L. Carlyle, G. Heydenreich, & K. Keune (Eds.), Conservation of Modern Oil Paintings (pp. 587-596). Springer. https://doi.org/10.1007/978-3-030-19254-9_44
  • Open Access
    Picollo, M., Stols-Witlox, M., & Fuster-Lopéz, L. (Eds.) (2019). UV-Vis Luminescence imaging techniques = Técnicas de imagen de luminiscencia UV-Vis. (Conservation 360º; Vol. 1). Editorial Universitat Politècnica de València. http://hdl.handle.net/10251/138517
  • Open Access
    Raven, L., Bisschoff, M., Leeuwestein, M., Geldof, M., Hermans, J. J., Stols-Witlox, M., & Keune, K. (2019). Delamination Due to Zinc Soap Formation in an Oil Painting by Piet Mondrian (1872-1944): Conservation Issues and Possible Implications for Treatment. In F. Casadio, K. Keune, P. Noble, A. Van Loon, E. Hendriks, S. A. Centeno, & G. Osmond (Eds.), Metal Soaps in Art: Conservation and Research (pp. 343-358). (Cultural Heritage Science). Springer. https://doi.org/10.1007/978-3-319-90617-1_20
  • Stols-Witlox, M. (2018). Witte gronden, heldere kleuren: Wat historische auteurs (1550-1900) van recepten schrijven over het schilderen op witte gronderingen. kM : vakinformatie voor beeldende kunstenaars en restauratoren, 106, 25-27.
  • Stols-Witlox, M. (2017). A perfect ground: Preparatory layers for oil paintings 1550-1900. Archetype.
  • Stols-Witlox, M. (2017). ‘From reading to painting’: Authors and Audiences of Dutch Recipes for Preparatory Layers for Oil Painting. Early Modern Low Countries, 1(1), 71-134. https://doi.org/10.18352/emlc.3
  • Stols-Witlox, M. (2016). Flour and starch in preparatory layers for oil painting: Reconstructions based on historical recipes (sixteenth to nineteenth centuries). In A. Wallert (Ed.), Painting Techniques: History, materials and studio practice : 5th international symposium (pp. 79-84). Rijksmuseum.
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