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Results: 36
Number of items: 36
  • Laine, T. (2012). Dangerous liaisons and counterfeit affections: cinema as seduction. In J. Sternagel, D. Levitt, & D. Mersch (Eds.), Acting and performance in moving image culture: bodies, screens, renderings (pp. 247-258). (Metabasis: Transkriptionen zwischen Literaturen, Künsten und Medien; No. 7). Transcript.
  • Laine, T. (2011). Feeling cinema: emotional dynamics in film studies. Continuum.
  • Laine, T. (2011). Hidden Shame Exposed: Hidden and the Spectator. In B. McCann, & D. Sorfa (Eds.), The cinema of Michael Haneke: Europe Utopia (pp. 247-257). Wallflower Press.
  • Laine, T. (2011). Entangled life: The double life of Veronique. Film and Philosophy, 15, 127-138. http://www.lhup.edu/dshaw/images/veron%202.pdf
  • Open Access
    Laine, T. (2011). Imprisoned in disgust: Roman Polanski's Repulsion. Film-Philosophy, 15(2), 36-50. http://film-philosophy.com/index.php/f-p/article/view/275
  • Laine, T. (2010). SMS scandals: sex, media and politics in Finland. Media, Culture & Society, 32(1), 151-160. https://doi.org/10.1177/0163443709350379
  • Laine, T. (2010). 'The diving bell and the butterfly' as an emotional event. Midwest Studies in Philosophy, 34, 295-305. https://doi.org/10.1111/j.1475-4975.2010.00207.x
  • Open Access
    Laine, T. (2010). Haneke's 'Funny' Games with the audience (revisited). In B. Price, & J. D. Rhodes (Eds.), On Michael Haneke (pp. 50-60). (Contemporary approaches to film and television series). Wayne State University Press.
  • Laine, T. (2009). Affective telepathy, or the intuition of the heart: 'Persona' with 'Mulholland Drive'. New Review of Film and Television Studies, 7(3), 325-338. https://doi.org/10.1080/17400300903047078
  • Laine, T., & Strauven, W. (2009). The synaesthetic turn. New Review of Film and Television Studies, 7(3), 249-255. https://doi.org/10.1080/17400300903047029
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