Search results
Results: 44
Number of items: 44
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Berrebi, S. (2014). The Shape of Evidence: Contemporary Art and the Document. Valiz. http://www.valiz.nl/TheShapeofEvidence
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Berrebi, S. (2013). Metromania or The Undersides of Painting. In C. Lindner, & A. Hussey (Eds.), Paris-Amsterdam underground: essays on cultural resistance, subversion, and diversion (pp. 23-36). (Cities and cultures). Amsterdam University Press. http://www.oapen.org/search?identifier=442549 -
Berrebi, S. (2013). Not-So-Transparent Things. In D. Roelstraete (Ed.), The Way of the Shovel: on the archaeological imaginary in art (pp. 266-277). University of Chicago Press. http://sophieberrebi.net/Not-so-Transparent-Things -
Berrebi, S. (2013). Platinum Blondes and a Bearded Lady. Web publication or website, Foto_museum. https://www.fotomuseum.ch/de/explore/still-searching/articles/26945_platinum_blondes_and_a_bearded_lady -
Berrebi, S. (2013). Welsh Water. Web publication or website, Foto_museum. https://www.fotomuseum.ch/en/explore/still-searching/articles/26946 -
Berrebi, S. (2012). Die Nahtstellen der Bilder sichtbar machen. In E. Schmidt, & I. Rüttinger (Eds.), Lieber Aby Warburg - was tun mit den Bildern? Vom Umgang mit fotografischem Material = Dear Aby Warburg, what can be done with images? Dealing with photographic material (pp. 203-205). Kehrer Verlag.
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Berrebi, S. (2012). Neither fish nor fowl, but real bodies: the films of Sven Augustijnen. Afterall, 31, 86-93. http://www.afterall.org/journal/issue.31/neither-fish-nor-fowl-but-real-bodies-the-films-of-sven-augustijen
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