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UvA-DARE

Digital Academic Repository

UvA-DARE

Results: 202

Number of items: 202

Pisters, P. (2022). “I Am a Strange Video Loop”: Digital Technologies of the Self in Picture-Perfect Mediations. In C. Kelly, J. Kemper, & E. Rutten (Eds.), Imperfections: Studies in Mistakes, Flaws and Failures (pp. 221-242). (Thinking | media). Bloomsbury Academic. https://doi.org/10.5040/9781501380303.ch-010
de Luca, V. M. (2021). Nomadic filmmaking: Political cinema in the 21st century. [Thesis, externally prepared, Universiteit van Amsterdam].
Özgenalp, N. (2021). The neo-televisual-image: Minoritarian politics of millennial television series. [Thesis, fully internal, Universiteit van Amsterdam].
Kooijman, J., & Pisters, P. (2021). Murky Waters: Submerging in an aesthetics of non-transparency. NECSUS, 10(2), 121-126. https://doi.org/10.25969/mediarep/17280
van Brummelen, I. V. (2021). Drifting studio practice. [Thesis, fully internal, Universiteit van Amsterdam].
Lysen, F. C. (2020). Brainmedia: One hundred years of performing live brains, 1920–2020. [Thesis, fully internal, Universiteit van Amsterdam].
Pisters, P. (2020). Carrie’s Sisters: New Blood in Contemporary Female Horror Cinema. In N. Chare, J. Hoorn, & A. Yue (Eds.), Re-reading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis (pp. 121-137). (Routledge Advances in Film Studies). Routledge. https://doi.org/10.4324/9780429469367-9
Pisters, P. (2020). New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror. Edinburgh University Press. https://doi.org/10.3366/edinburgh/9781474466950.001.0001
Pisters, P. (2019). Wreed Perfectionisme. Metropolis M, tijdschrift over hedendaagse kunst, 40(4), 56.
Mazel, A. G. (2019). Governing food: Media, politics and pleasure. [Thesis, fully internal, Universiteit van Amsterdam].

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