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Results: 199
Number of items: 199
  • Open Access
    Özgenalp, N. (2021). The neo-televisual-image: Minoritarian politics of millennial television series. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    van Brummelen, I. V. (2021). Drifting studio practice. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Lysen, F. C. (2020). Brainmedia: One hundred years of performing live brains, 1920–2020. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Pisters, P. (2020). Carrie’s Sisters: New Blood in Contemporary Female Horror Cinema. In N. Chare, J. Hoorn, & A. Yue (Eds.), Re-reading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis (pp. 121-137). (Routledge Advances in Film Studies). Routledge. https://doi.org/10.4324/9780429469367-9
  • Open Access
    Pisters, P. (2020). New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror. Edinburgh University Press. https://doi.org/10.3366/edinburgh/9781474466950.001.0001
  • Pisters, P. (2019). Wreed Perfectionisme. Metropolis M, tijdschrift over hedendaagse kunst, 40(4), 56.
  • Open Access
    Mazel, A. G. (2019). Governing food: Media, politics and pleasure. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Pisters, P. (2019). Nicolas Ray's We Can't Go Home Again: Multiple Windows in a Delirious Time Machine. In E. Dimendberg (Ed.), The Moving Eye: Film, Television, Architecture, Visual Art, and the Modern (pp. 43-56). Oxford University Press. https://doi.org/10.1093/oso/9780190218430.003.0004
  • Pisters, P. (2018). Body without Organs. In R. Braidotti, & M. Hlavajova (Eds.), The Posthuman Glossary (pp. 74-76). (Theory). Bloomsbury Academic. https://doi.org/10.5040/9781350030275.0008
  • Pisters, P. (2018). Neuronal Aesthetics. In R. Braidotti, & M. Hlavajova (Eds.), The Posthuman Glossary (pp. 285-287). (Theory). Bloomsbury Academic. https://doi.org/10.5040/9781350030275.0020
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