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Results: 100
Number of items: 100
  • Boomgaard, J. (2012). Tussen de tijdgeest. In M. J. van Beckhoven (Ed.), Een vierkantje laten lachen: Bas Maters [1949-2006]: 35 jaar monumentale beeldende kunst en architectonische vormgeving (pp. 72-79). (ArtEZ alumni; No. 2). ArtEZ Press/WBooks.
  • Boomgaard, J. (2012). Wild park: commissioning the unexpected. (Essay; No. 6). Netherlands Foundation for Visual Arts, Design and Architecture.
  • Boomgaard, J. (2012). Het effect van kunst in de openbare ruimte [Bespreking van: M.M. Zebracki (2012) Public artopia: art in public space in question]. Boekman, 24(93), 118-119.
  • Open Access
    Taken, B., & Boomgaard, J. (2012). Between Romantic Isolation and Avant-Gardist Adaptation. In P. Gielen, & P. de Bruyne (Eds.), Teaching Art in the Neoliberal Realm: realism versus cynicism (pp. 87-100). (Antennae; No. 7). Valiz Publishers.
  • Open Access
    Boomgaard, J., & Doruff, S. (2012). De kunst van publieken: ruimte maken voor misverstand. Open, 24, 8-17. http://www.skor.nl/_files/Files/OPEN24%20NL_Boomgaard%20&%20Doruff.pdf
  • Open Access
    van Winkel, C. H. (2012). During the exhibition the gallery will be closed: contemporary art and the paradoxes of conceptualism. [Thesis, externally prepared, Universiteit van Amsterdam]. Valiz uitgeverij.
  • Open Access
    Boomgaard, J. (2011). The realm of possibilities. In U. Lindmayr (Ed.), Crossing: from Middelheim Museum to the city and back again (pp. 11-25). Contemporary Art Heritage Flanders.
  • Boomgaard, J. (2011). Wild park: het onverwachte als opdracht. (Essay; No. 006). Fonds voor Beeldende Kunst en Vormgeving.
  • Open Access
    Boomgaard, J. (2011). [Bespreking van: P. O'Neill, C. Doherty (2011) Locating the producers: durational approaches to public art]. Open, 21, 148-149.
  • Open Access
    Boomgaard, J. (2011). The chimera of method. In J. Wesseling (Ed.), See it again, say it again: the artist as researcher (pp. 57-71). (Antennae series; No. 6). Valiz.
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