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Results: 186
Number of items: 186
  • Honing, H. (1998). Vergelijking MIDI-files: deskundige rapport (rechtzaak Utrecht). Universiteit van Amsterdam / Universiteit van Nijmegen.
  • Desain, P., Honing, H., Thienen, H., & Windsor, W. L. (1998). Computational modeling of music cognition: problem or solution? Music Perception, 16(1), 151-166.
  • Desain, P., & Honing, H. (1997). Computational modelling of rhythm perception. In Proceedings of the workshop on Language and Music Perception
  • Dannenberg, R., Desain, P., & Honing, H. (1997). Programming language design for music. In de Poli, G., & Picalli, A (Eds.), Musical Signal Processing (pp. 271-315). Swets & Zeitlinger.
  • Windsor, W. L., Desain, P., Honing, H., Aarts, R., & Heijink, H. (1997). Graceful timing: ornaments, tempo and musical structure. In Proceedings of the 7t Rhythm Perception and Production Workshop (pp. 35-35)
  • Desain, P., & Honing, H. (1997). Music, Mind, Machine: beatinductie computationeel modelleren. Informatie, 39, 48-53.
  • Desain, P., & Honing, H. (1997). How to evaluate generative models of expression in music performance. In IJCAI workshop: Issues in AI and music evaluation and assessment (pp. 5-7)
  • Desain, P., & Honing, H. (1997). Structural Expression Component Theory (SECT), and a method for decomposing expression in music performance. In Proceedings of the Society for Music Perception and Cognition (pp. 38-38)
  • Desain, P., Honing, H., & Heijink, H. (1997). Robust score-performance matching: taking advantage of structural information. Proceedings of the International Computer Music Conference, 1997, 337-340. http://hdl.handle.net/2027/spo.bbp2372.1997.088
  • Desain, P., & Honing, H. (1996). Pas op voor de tempocurve! [Beware of the Tempo Curve]. Nieuwsbrief Nederlandse Vereniging voor Psychonomie, 1, 4-7.
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