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Results: 198
Number of items: 198
  • Desain, P., & Honing, H. (2002). Rhythmic stability as explanation of category size. In K. Stevens (Ed.), Proceedings of the International Conference on Music Perception and Cognition (pp. 111-115). University of New South Wales.
  • Desain, P., Honing, H., Windor, L., Timmers, R., & Ashley, R. (2002). Timing of ornaments in the theme of Beethoven's paisiello variations: Empirical data and a model. Music Perception, 20(1), 3-33. https://doi.org/10.1525/mp.2002.20.1.3
  • Honing, H., van Rijn, T., Jongsma, M. A., & Desain, P. (2002). Aep p300 modulation by two different temporal contexts in both rhythmically trained and nontrained subjects. Journal of Cognitive Neuroscience, A94.
  • Honing, H., Sadakata, H. M., & Desain, P. (2002). The relation between rhythm perception and production: towards a bayesian model. In K. Ogushi (Ed.), Proceedings of the Japanese Society of Music Perception and Cogntion (pp. 123-127).
  • Honing, H., & Timmers, T. (2002). Issuing an empirical musicology of performance. In Freedom and constraints in timing and ornamentation. Investigations of music performance (pp. 19-49\). Shaker Publishing.
  • Honing, H. (2002). Structure and interpretation of rhythm and timing. Dutch Journal of Music Theory, 7(3), 227-232.
  • Honing, H., van Rijn, T., Coenen, T., Jenks, K., & Desain, P. (2002). Omission evoked potentials (OEPS) in rhythmically trained and non-trained subjects. Journal of Cognitive Neuroscience, B90.
  • Honing, H. (2001). From time to time: The representation of timing and tempo. Computer Music Journal, 35(3), 50-61.
  • Rossignol, S., Desain, P., & Honing, H. (2001). State-of-the-art in fundamental frequency tracking. In Proceedings of workshop on Current Research Directions in Computer Music (pp. 244-245). UPF.
  • Cemgil, A. T., Kappen, B., Desain, P., & Honing, H. (2001). On tempo tracking: tempogram Representation and Kalman filtering. Journal of New Music Research, 29(4), 259-273. https://doi.org/10.1080/09298210008565462
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