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Results: 557
Number of items: 557
  • Bal, M. (2011). Serendipity: The Miracle of Being Where You Are. In M. Bal, C. Gohy, D. Snauwaert, S. Rocca, & A. Vandycke (Eds.), Ann Veronica Janssens: Serendipity (pp. 11-32). WIELS. http://www.wiels.org/nl/50/6/Ann-Veronica-Janssens
  • Bal, M. (2011). Memory as lace = Herinneringen van kant = Erinnerungen aus Spitze. In M. Rehkopp, M. Gesing, S. van Hout, R. Schulp, & G. Caspary (Eds.), Seet van Hout: Red Greenhouse (pp. 30-35). Edition & Verlag Kloster Bentlage.
  • Bal, M. (2011). The Last Frontier. In M. Bal, & M. Á. Hernández-Navarro (Eds.), La última frontera = The last frontier (pp. 100-108). Fundación José García Jiménez.
  • Open Access
    Cotter, L. Á. (2011). Curating, cultural capital and symbolic power: representations of Irish art in London, 1950-2010. [Thesis, fully internal, Universiteit van Amsterdam]. Eigen Beheer.
  • Open Access
    van Weyenberg, A. L. B. (2011). The politics of adaptation: contemporary African drama and Greek tragedy. [Thesis, fully internal, Universiteit van Amsterdam]. Eigen Beheer.
  • Bal, M. (2010). The quoted artist: contemporary fascination with Caravaggio is, in itself, Baroque. Italian Journal, 20(3), 40-43.
  • Bal, M. (2010). Religion and powerlessness: Elena in 'Nothing is missing'. In M. B. ter Borg, & J. W. van Henten (Eds.), Powers: religion as a social and spiritual force (pp. 209-239, 316). (The future of the religious past). Fordham University Press.
  • Bal, M. (2010). Of what one cannot speak: Doris Salcedo's political art. University of Chicago Press.
  • Bal, M. (2010). Deborah. In D. Patte (Ed.), The Cambridge dictionary of Christianity (pp. 313). Cambridge University Press.
  • Bal, M. (2010). True lies: on Ana Torf's Du mentir-faux, or Some dilemmas of history. In R. Ottosen, & S. Steigen (Eds.), Framing war with facts and fiction in the cultural field: a seminar report (pp. 38-54). (HiO-report; No. 2010:12). Oslo University College, Faculty of Journalism, Library and information Science.
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