Search results
Results: 186
Number of items: 186
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Honing, H. (2006). On the growing role of observation, formalization and experimental method in musicology. Empirical Musicology Review, 1(1), 2-5. http://emusicology.org/v1n1/
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Sadakata, M., Desain, P., & Honing, H. (2006). The Bayesian way to relate rhythm perception and production. Music Perception, 23(3), 269-288. https://doi.org/10.1525/mp.2006.23.3.269
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Honing, H. (2006). Evidence for tempo-specific timing in music using a web-based experimental setup. Journal of Experimental Psychology. Human Perception and Performance, 32(3), 780-786. https://doi.org/10.1037/0096-1523.32.3.780
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Honing, H. (2006). Computational modeling of music cognition: a case study on model selection. Music Perception, 23(5), 365-376. https://doi.org/10.1525/mp.2006.23.5.365
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Honing, H. (2005). Is there a perception-based alternative to kinematic models of tempo rubato? Music Perception, 23(1), 79-85. https://doi.org/10.1525/mp.2005.23.1.79
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