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Results: 113
Number of items: 113
  • de Kloet, B. J. (2003). Sonic Imaginations - Notes on the Opaque Seduction of (Canto)pop. IIAS Newsletter, 32, 25.
  • de Kloet, B. J. (2003). Confusing Confucius - Rock in Contemporary China. In M. Coonan, & R. Garofalo (Eds.), Policing Popular Music (pp. 166-186). Temple University Press.
  • de Kloet, B. J. (2003). Robin Hood in Cyberspace - Hacken, nationalisme en digitale politiek. Amsterdams Sociologisch Tijdschrift, 29(1/2), 46-65.
  • Kuipers, G. M. M., de Kloet, B. J., & Kuik, S. N. (2003). Inleiding: Het net van de begrensde mogelijkheden. Amsterdams Sociologisch Tijdschrift, 29(1/2), 7-17.
  • de Kloet, J. (2002). Chines rock: Full of sound and fury, Signifying something? In J. K. W. Lau (Ed.), Multiple modernities - Cinema and popular media in transcultural East Asia Temple University Press.
  • de Kloet, J. (2002). Commercial fantasies: China's music industry. In S. H. Donald, M. Keane, & Y. Hong (Eds.), Media future in China: Consumption, content and crisis (pp. 93-104). Surrey: Routledge/ Curzon Press.
  • de Kloet, J. (2002). Digitisation and its Asian discontents - The Internet, politics and hacking in China and Indonesia. First Monday, 7(9). https://doi.org/10.5210/fm.v7i9.988
  • Open Access
    de Kloet, J. (2001). Red Sonic Trajectories - Popular Music and Youth in China. [Thesis, fully internal, Universitiet van Amsterdam].
  • de Kloet, B. J. (2000). With Chow Yiufai, "Bekijk het Maar!". In I. Meijer, & M. Reesink (Eds.), Big Brother! Reality Soap en de Opkomst van het Multi Media Concept (pp. 120-129). Boom.
  • de Kloet, B. J. (2000). Let Him Fucking See the Green Smoke Beneath my Groin - The Mythology of Chinese Rock. In A. Dirlik, & X. Zhang (Eds.), Postmodernism and China Duke University Press.
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