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Results: 13
Number of items: 13
  • van den Berg, K. J., Keune, K., de Groot, S., van Keulen, H., van der Werf, I. D., & Burnstock, A. (2014). Binding media in Tudor and Jacobean portrait paintings – Distinguishing between original paint and conservation additions. In J. Bridgland (Ed.), ICOM-CC 17th Triennial Conference: Building strong culture through conservation, 15-19 September 2014, Melbourne, Australia Article 1315 International Council of Museums.
  • Reissland, B., Nederlof, A., Meedendorp, T., de Groot, S., van Keulen, H., Megens, L., & van Velzen, B. (2013). 'Permanent, water-proof and unequalled for outdoor sketching': van Gogh's use of wax crayons. In M. Vellekoop, M. Geldof, E. Hendriks, L. Jansen, & A. de Tagle (Eds.), Van Gogh's studio practice (pp. 400-419). Van Gogh Museum.
  • Open Access
    Beerkens, L., Stigter, S., van Oosten, T., & van Keulen, H. (2008). Go with the flow: conservation of a floating sculpture from 1961 made from glass fibre-reinforced polyester resin. In B. Keneghan, & L. Egan (Eds.), Plastics: looking at the future and learning from the past: papers from the conference held at the Victoria and Albert Museum, London, 23-25 May 2007 (pp. 45-51). Archetype. http://www.archetype.co.uk/publication-details.php?id=20
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