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Results: 27
Number of items: 27
  • Open Access
    Catanese, R., Heftberger, A., & Olesen, C. G. (2021). Introduction: Film Heritage and Digital Scholarship - Computer-Based Approaches to Film Archiving, Restoration and Philology. Cinergie - Il Cinema e el altre arti, 20, 1-6. https://doi.org/10.6092/issn.2280-9481/13948
  • Open Access
    Van Noord, N., Olesen, C. G., Ordelman, R., & Noordegraaf, J. (2021). Automatic Annotations and Enrichments for Audiovisual Archives. In A. P. Rocha, L. Steels, & J. van den Herik (Eds.), ICAART 2021 : Proceedings of the 13th International Conference on Agents and Artificial Intelligence : February 4-6, 2021. - Volume 1: ARTIDIGH 2021, Vienna, Austria (pp. 633-640). SciTePress. https://doi.org/10.5220/0010387706330640
  • Open Access
    Fokkens, A. (Guest ed.), & Olesen, C. (Guest ed.) (2021). DH Benelux Online. DH Benelux Journal, 3. https://doi.org/10.17613/fmst4-8kx57
  • Open Access
    Masson, E., Olesen, C. G., van Noord, N., & Fossati, G. (2020). Exploring Digitised Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction. Digital Humanities Quarterly, 14(4). http://digitalhumanities.org/dhq/vol/14/4/000497/000497.html
  • Open Access
    Olesen, C. (2019). “This is our first big experiment”: Paris 1900 (1947) and the Eye Filmmuseum’s early collection-building. Early Popular Visual Culture, 17(2), 207-217. https://doi.org/10.1080/17460654.2019.1697113
  • Open Access
    Keidl, P. D., & Olesen, C. G. (2018). Introduction. Synoptique: An Online Journal of Film and Moving Image Studies, 6(1), 6-11. https://www.synoptique.ca/_files/ugd/811df8_1f0996fcffc4494a9fb155feb3b5804d.pdf
  • Open Access
    Olesen, C. G., & Kisjes, I. (2018). From Text Mining to Visual Classification: Rethinking Computational New Cinema History with Jean Desmet’s Digitised Business Archive. Tijdschrift voor Mediageschiedenis, 21(2), 127–145. https://doi.org/10.18146/2213-7653.2018.370
  • Open Access
    Olesen, C. G. (2018). I-Media-Cities, europæisk (film-)historieskrivning og den digitale humaniora. Kosmorama, 272. https://www.kosmorama.org/artikler/i-media-cities
  • Melgar Estrada, L., Hielscher, E., Koolen, M., Olesen, C. G., Noordegraaf, J., & Blom, J. (2017). Film analysis as annotation: Exploring current tools and their affordances. The moving image, 17(2), 40-70. https://doi.org/10.5749/movingimage.17.2.0040
  • Open Access
    Olesen, C. G. (2017). Towards a 'Humanistic Cinemetrics? In M. T. Schäfer, & K. van Es (Eds.), The Datafied Society: Studying Culture Through Data (pp. 39-54). Amsterdam University Press. https://www.jstor.org/stable/j.ctt1v2xsqn.7
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