Search results
Results: 26
Number of items: 26
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Fokkens, A. (Guest ed.), & Olesen, C. (Guest ed.) (2021). DH Benelux Online. DH Benelux Journal, 3. https://doi.org/10.17613/fmst4-8kx57 -
Fokkens, A., & Olesen, C. (2021). Introduction: DH Benelux Online. DH Benelux Journal, 3, iii-iv. https://doi.org/10.17613/p3z7-4c05
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Masson, E., Olesen, C. G., van Noord, N., & Fossati, G. (2020). Exploring Digitised Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction. Digital Humanities Quarterly, 14(4). http://digitalhumanities.org/dhq/vol/14/4/000497/000497.html
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Olesen, C. (2019). “This is our first big experiment”: Paris 1900 (1947) and the Eye Filmmuseum’s early collection-building. Early Popular Visual Culture, 17(2), 207-217. https://doi.org/10.1080/17460654.2019.1697113
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Olesen, C. G., & Kisjes, I. (2018). From Text Mining to Visual Classification: Rethinking Computational New Cinema History with Jean Desmet’s Digitised Business Archive. Tijdschrift voor Mediageschiedenis, 21(2), 127–145. https://doi.org/10.18146/2213-7653.2018.370
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Keidl, P. D., & Olesen, C. G. (2018). Introduction. Synoptique: An Online Journal of Film and Moving Image Studies, 6(1), 6-11. https://www.synoptique.ca/_files/ugd/811df8_1f0996fcffc4494a9fb155feb3b5804d.pdf
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Olesen, C. G. (2018). I-Media-Cities, europæisk (film-)historieskrivning og den digitale humaniora. Kosmorama, 272. https://www.kosmorama.org/artikler/i-media-cities
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Melgar Estrada, L., Hielscher, E., Koolen, M., Olesen, C. G., Noordegraaf, J., & Blom, J. (2017). Film analysis as annotation: Exploring current tools and their affordances. The moving image, 17(2), 40-70. https://doi.org/10.5749/movingimage.17.2.0040
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Olesen, C. G. (2017). Towards a 'Humanistic Cinemetrics? In M. T. Schäfer, & K. van Es (Eds.), The Datafied Society: Studying Culture Through Data (pp. 39-54). Amsterdam University Press. https://www.jstor.org/stable/j.ctt1v2xsqn.7
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