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Results: 22
Number of items: 22
  • Noordenbos, B., & Souch, I. (2021). Nostalgic Mediations of the Soviet Past in Nikolai Lebedev’s Remake of The Crew (2016). In E. Cuelenaere, G. Willems, & S. Joyce (Eds.), European Film Remakes (pp. 149-162). (Screen Serialities). Edinburgh University Press. https://doi.org/10.1515/9781474460668-015
  • Open Access
    Souch, I. (2021). Reincarnations of Miss Marple on Russian TV: Challenging the Tropes of Female Ageing. MAI: Feminism and Visual Culture, 7, Article 10. https://maifeminism.com/reincarnations-of-miss-marple-on-russian-television/
  • Open Access
    Souch, I. (2021). Community, Myth, and Metaphor in Pavel Kostomarov’s Outbreak Thriller Series <i>Epidemiia / To the Lake</i> (2019). Apparatus, 12, Article 4. https://doi.org/10.17892/app.2021.00012.252
  • Ferdinand, S., Souch, I., & Wesselman, D. (Eds.) (2020). Heterotopia and Globalisation in the Twenty-First Century. Routledge. https://doi.org/10.4324/9780429290732
  • Wesselman, D., Ferdinand, S., & Souch, I. (2020). Introduction: Interrupting Globalisation - Heterotopia in the Twenty-First Century. In S. Ferdinand, I. Souch, & D. Wesselman (Eds.), Heterotopia and Globalisation in the Twenty-First Century (pp. 1-18). Routledge. https://doi.org/10.4324/9780429290732-1
  • Souch, I. (2020). Without Witness: Privacy and Normal Life in Late Soviet Cinema. In T. Klepikova, & L. Raabe (Eds.), Outside the "Comfort Zone": Performances and Discourses of Privacy in Late Socialist Europe (pp. 203-226). (Rethinking the Cold War; Vol. 5). De Gruyter Oldenbourg. https://doi.org/10.1515/9783110606874-009
  • Open Access
    Souch, I. (2020). Transformations of the Evil Forest in the Swedish Television Series Jordskott: An ecocritical reading. Nordicom Review, 41(s1), 107-122. https://doi.org/10.2478/nor-2020-0011
  • Open Access
    Peeren, E., & Souch, I. (2019). Romance in the cowshed: Challenging and reaffirming the rural idyll in the Dutch reality TV show Farmer Wants a Wife. Journal of Rural Studies, 67, 37-45. https://doi.org/10.1016/j.jrurstud.2019.02.001
  • Souch, I. (2017). Popular Tropes of Identity in Contemporary Russian Television and Film. Bloomsbury Academic. https://doi.org/10.5040/9781501329050
  • Open Access
    Souch, I. (2017). Notes on Sincerity in Russian Auteur Cinema of the 2010s. Apparatus, 4. https://doi.org/10.17892/app.2017.0004.18
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