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Results: 16
Number of items: 16
  • Open Access
    Martin, N. (2016). On Beckton Alp: Iain Sinclair, garbage, and ‘obscenery’. In C. Lindner, & M. Meissner (Eds.), Global Garbage: Urban imaginaries of waste, excess, and abandonment (pp. 207-220). (Routledge Research in Sustainable Urbanism). Routledge. https://doi.org/10.4324/9781315732251
  • Open Access
    Martin, N. (2016). The (Dis)Locative Effect of Noise: Globalisation, Disorientation and Noise in Marc Isaacs’ Lift. Culture, Theory and Critique, 57(1), 62-76. https://doi.org/10.1080/14735784.2015.1118640
  • Martin, N. (2015). Iain Sinclair: Noise, Neoliberalism and the Matter of London. (Bloomsbury Studies in the City). Bloomsbury. https://doi.org/10.5040/9781474255134
  • Open Access
    Martin, N. (2015). Ghost Storage: Between Archive and Ash: The Case of Rachel Lichtenstein and Iain Sinclair’s Rodinsky’s Room. The Literary London Journal, 12(1-2), 46-61. http://www.literarylondon.org/london-journal/springautumn2015/martin.pdf
  • Martin, N. (2013). Unacknowledged Cities: Modernity and Acknowledgement in China Miéville's The City & The City and Marc Isaacs' All White in Barking. European Journal of Cultural Studies, 16(6), 710-724. https://doi.org/10.1177/1367549413497692
  • Open Access
    Martin, N. (2012). Noise, neoliberalism and Iain Sinclair. [Thesis, fully internal, Universiteit van Amsterdam].
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