Search results
Results: 30
Number of items: 30
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Bussels, S., & van Oostveldt, B. (2017). Restored Behavior” and the Performance of the City Maiden in Joyous Entries into Antwerp. In E. M. Kavaler, & A.-L. Van Bruaene (Eds.), Netherlandish Culture of the Sixteenth Century: Urban Perspectives (pp. 147-166). (Studies in European Urban History (1100-1800); Vol. 41). Brepols. https://doi.org/10.1484/M.SEUH-EB.5.114006
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Bussels, S., & van Oostveldt, B. (2017). How to Find God in the Dutch Golden Age. Dutch Crossing, 41(3), 195-209. https://doi.org/10.1080/03096564.2016.1250449 -
Bussels, S., & van Oostveldt, B. (Eds.) (2016). The Sublime and Seventeenth-Century Netherlandish Art. Journal of Historians of Netherlandish Art, 8(2). http://www.jhna.org/index.php/past-issues/vol-8-2-2016
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van Oostveldt, B., Bussels, S., & Jansen, W. (Eds.) (2016). The Sublime in Early Modern Theories of Art and Literature. Lias, 43(2), 191-296. http://poj.peeters-leuven.be/content.php?url=issue&journal_code=LIAS&issue=2&vol=43
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van Oostveldt, B., Bussels, S., & Jansen, W. (2016). Introduction: The early histories of the sublime. Lias, 43(2), 191-198. https://doi.org/10.2143/LIAS.43.2.3197375
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van Oostveldt, B., & Bussels, S. (2016). Introduction: The Sublime and Seventeenth-Century Netherlandish Art. Journal of Historians of Netherlandish Art, 8(2), 1-15. https://doi.org/10.5092/jhna.2016.8.2.1 -
van Oostveldt, B. (2015). Neem een voorbeeld aan Anna Teresa De Keersmaker. TheaterMaker, 18(6), 30-31. http://www.theaterkrant.nl/nieuws/theatermaker-december-2014januari-2015/
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Bussels, S., & van Oostveldt, B. (2014). Re-enacting a Scrutinised Past at the Antwerp World Exhibition of 1894. Forum Modernes Theater, 26(1-2), 21-42. https://doi.org/10.1353/fmt.2011.0014
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