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Results: 36
Number of items: 36
  • Laine, T. (2017). Not Quite Romantic Comedy. In B. Papenburg (Ed.), Gender: Laughter (pp. 55-69). (Macmillan Interdisciplinary Handbooks). Macmillan Reference USA.
  • Laine, T. (2016). Religion as Environmental Ethics: Darren Aronofsky’s Noah. In L. Copier, & C. Vander Stichele (Eds.), Close Encounters between Bible and Film: An Interdisciplinary Engagement (pp. 173-183). (Semeia studies; Vol. 87). SBL Press.
  • Open Access
    Laine, T. (2016). Mea maxima vulva: Appreciation and aesthetics of chance in Nymphomaniac. In R. Butler, & D. L. Denny (Eds.), Lars von Trier's Women (pp. 233-246). Bloomsbury Academic. https://doi.org/10.5040/9781501322488.ch-014
  • Laine, T. (2015). Bodies in Pain: Emotion and the Cinema of Darren Aronofsky. Berghahn Books.
  • Laine, T. (2015). Lonely Birthday Eaters Anonymous: The Chinese Wall. Short Film Studies, 5(1), 99-102. https://doi.org/10.1386/sfs.5.1.99_1
  • Open Access
    Laine, T. (2015). Negative Feelings as Emotional Enhancement in Cinema: The Case of Ulrich Seidl's Paradise Trilogy. In M. Hauskeller, T. D. Philbeck, C. D. Carbonell, & CD. Carbonell (Eds.), The Palgrave Handbook of Posthumanism in Film and Television (pp. 246-256). Palgrave Macmillan. https://doi.org/10.1057/9781137430328_25
  • Open Access
    Laine, T. (2014). Art as a Guaranty of Sanity: The Skin I Live In. Alphaville, 7, Article 2. http://www.alphavillejournal.com/Issue7/HTML/ArticleLaine.html
  • Connelly, M., & Laine, T. (2013). Editorials. Journal of Scandinavian Cinema, 3(3), 189-193. https://doi.org/10.1386/jsca.3.3.189_2
  • Laine, T. (2013). Generosity and Hospitality in Christmas Story. Journal of Scandinavian Cinema, 3(3), 297-303. https://doi.org/10.1386/jsca.3.3.297_1
  • Laine, T. (2013). [Review of: L. McMahon (2012) Cinema and contact: the withdrawal of touch in Nancy, Bresson, Duras, and Denis]. New Review of Film and Television Studies, 11(3), 390-393. https://doi.org/10.1080/17400309.2013.776756
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