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Results: 102
Number of items: 102
  • Witte, A. A. (2022). [Bespreking van: A.J. Taylor (2022) Forms of Persuasion : Art and the Corporate Image in the 1960s]. De Witte Raaf, 37(219), 41-43. https://www.dewitteraaf.be/artikel/forms-of-persuasion-art-and-the-corporate-image-in-the-1960s/
  • Witte, A. (2022). Epistolary exchanges, academic training, and social capital: Joseph Anton Koch at the Hohe Karlsschule in Stuttgart. In G. Capitelli, M. P. Donato, C. Mazzarelli, S. A. Meyer, & I. M. Mariani (Eds.), Lettere d’artista: Per una storia transnazionale dell’arte (XVIII-XIX secolo) (pp. 62-73). (Biblioteca d'arte; Vol. 73). Silvana editoriale.
  • Open Access
    Witte, A. (2022). San Martino ai Monti as a Tridentine Theatre: Dughet’s Frescoes as a Visualization of a sacra rappresentazione. Römisches Jahrbuch der Bibliotheca Hertziana, 45, 339-379. https://www.biblhertz.it/3295084/rjbh45_witte.pdf
  • Open Access
    Witte, A. (2022). [Bespreking van: F. Kuyvenhoven (2020) Een monument voor de BKR : De geschiedenis van een spraakmakende kunstenaarsregeling (1949-1987)]. Tijdschrift voor Geschiedenis, 135(1), 152-153. https://doi.org/10.5117/TvG2022.1.026.WITT
  • Witte, A. (2021). Portraits as a Sign of Possession: Cardinals and their Protectorships in Early Modern Rome. In P. Baker-Bates, & I. Brooke (Eds.), Portrait Cultures of the Early Modern Cardinal (pp. 231-257). (Visual and Material Culture, 1300-1700). Amsterdam University Press. https://doi.org/10.5117/9789463725514_ch09
  • Open Access
    Witte, A. (2021). The fringes in and of art historiography in post-1945 Europe: [Review of: N. de Haro García, P. Mayayo, J.Carrillo (2020) Making Art History in Europe after 1945]. Journal of Art Historiography, 24, Article 24/AW1. https://arthistoriography.files.wordpress.com/2021/02/witte-rev.pdf
  • Open Access
    Eickhoff, M., & Witte, A. A. (2021). De fascinatie voor fascisme als historische les? [Bespreking van tentoonstelling: Design van het Derde Rijk, Design Museum Den Bosch, 8 sept. 2019-30 maart 2020]. Tijdschrift voor Geschiedenis, 133(4), 707-716. https://doi.org/10.5117/TVGESCH2020.4.006.EICK
  • Open Access
    Witte, A. (2021). The myth of corporate art: the start of the Peter Stuyvesant Collection and its alignment with public arts policy in the Netherlands, 1950–1960. International Journal of Cultural Policy, 27(3), 344-357. https://doi.org/10.1080/10286632.2020.1746291
  • Witte, A. (2020). Beyond the ivory tower. In J. Ceelen, A. Clement van Vugt, E. Drummen, A. van Leeuwen, & S. Huisman (Eds.), VBCN View: Vereniging Bedrijfscollecties Nederland : Lustrum December 2020 (pp. 42-43). VBCN. https://bedrijfscollecties.nl/NL/messages/vbcn-view-nieuwe-publicatie-2020
  • Hollingsworth, M., Pattenden, M., & Witte, A. (Eds.) (2020). A Companion to the Early Modern Cardinal. (Brill's Companions to the Christian Tradition; Vol. 91). Brill. https://doi.org/10.1163/9789004415447
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