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Results: 33
Number of items: 33
  • Bleeker, M. A. (2002). Untitled - Ine Lamers. In Ine Lamers: Motives (pp. 48-57). Museum Boijmans Van Beuningen, NAI Uitgevers.
  • Bleeker, M. A. (2002). Two Young Men as Charming as Sweets. In Gil & Moti Road in a Dream (pp. 32-42). Tal Esther Gallery.
  • Bleeker, M. A. (2002). Welcome to What You Think You See: Theaterkijken ontleed. In M. Van der Linden (Ed.), Danswetenschap in Nederland Deel 2 (pp. 63-72). Vereniging voor Dansonderzoek.
  • Bleeker, M. A. (2002). I do, but for who? or how Gil & Moti got married. MASKA Performing Arts Journal, XVII(74-75), 98-100.
  • Bleeker, M. A., & Sevelder, J. (2002). Body Check. Relocation the Body in Contemporary Theatre. Rodopi.
  • Bleeker, M. A. (2002). Disorders that Consciousness can Produce. Bodies Seeing Bodies on Stage. In M. Bleeker, & S. Debelder (Eds.), Body Check. Relocating the Body in Contemporary Theatre (pp. 131-160). Rodopi.
  • Open Access
    Bleeker, M. A. (2002). The Locus of Looking - Dissecting Visuality in the Theatre. [Thesis, fully internal, Universiteit van Amsterdam]. Eigen Beheer.
  • Bleeker, M. A. (2001). Showing what cannot be seen: Perspective on the Post-Dramatic Stage. In V. D. Dries Luk, & O. Henk (Eds.), InterAkta 4: Performance, Transformance, Informance. New Concepts in Theatre (pp. 25-31). Erasmus University.
  • Bleeker, M. A. (2001). Being Where? Managing the Attention of the Audience in Beppie Blankert's Double Track. Performance Research, 6(3), 104-110. https://doi.org/10.1080/13528165.2001.10871817
  • Bleeker, M. A. (2001). Sharing Technologies: Meaning and Movement in Dancing. In P. Patricia (Ed.), Micropolitics of Media Culture: Reading the Rhizones of Deleuze and Guattari (pp. 57-74). Amsterdam University Press.
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