Search results
Results: 71
Number of items: 71
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Kooijman, J. (2019). Why I Too Write About Beyoncé. Celebrity Studies, 10(3), 432-435. https://doi.org/10.1080/19392397.2019.1630158 -
Grant, C., & Kooijman, J. (2019). New ways of seeing (and hearing): The audiovisual essay and television. NECSUS, 8(1), 293-297. https://necsus-ejms.org/new-ways-of-seeing-and-hearing-the-audiovisual-essay-and-television/ -
Kooijman, J. (2019). After Will & Ellen: Uneventful Queer Television. Critical Studies in Television, 14(4), 451-455. https://doi.org/10.1177/1749602019875855 -
Kooijman, J. (2019). Fierce, Fabulous, and In/Famous: Beyoncé as Black Diva. Popular music and society, 42(1), 6-21. https://doi.org/10.1080/03007766.2019.1555888 -
Kooijman, J. (2017). The Boxed Aesthetic and Metanarratives of Stardom: Analyzing Music Videos on DVD Compilations. In G. Arnold, D. Cookney, K. Fairclough, & M. Goddard (Eds.), Music/Video: Histories, Aesthetics, Media (pp. 231-244). Bloomsbury Academic. https://doi.org/10.5040/9781501313943.ch-020
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Kooijman, J. (2017). To Critique Affect by Means of Affect. Cinema Journal, 56(4), 146-148. https://doi.org/10.1353/cj.2017.0048
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Hermes, J., Kooijman, J., Littler, J., & Wood, H. (2017). On the move: Twentieth anniversary editorial of the European Journal of Cultural Studies. European Journal of Cultural Studies, 20(6), 595-605. https://doi.org/10.1177/1367549417733006
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Kooijman, J. (2017). I Want My MTV, We Want Our TMF: The Music Factory, MTV Europe, and Music Television in the Netherlands, 1995-2011. VIEW , 6(11), 93-101. https://doi.org/10.18146/2213-0969.2017.JETHC126 -
Hermes, J., & Kooijman, J. (2016). The Everyday Use of Celebrities. In P. D. Marshall, & S. Redmond (Eds.), A Companion to Celebrity (pp. 483-496). Wiley Blackwell. https://doi.org/10.1002/9781118475089.ch26
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