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Results: 74
Number of items: 74
  • Open Access
    Weststeijn, T. (2015). De denkwereld van Nicolaas Witsen. Kunstschrift, 59(5), 36-43.
  • Open Access
    van Noord, W., & Weststeijn, T. (2015). The Global Trajectory of Nicolaas Witsen’s Chinese Mirror. The Rijksmuseum Bulletin, 63(4), 325-361.
  • Weststeijn, T. (2014). Between Rome and Amsterdam: Barthold Nihusius (1589-1657) and the Origins of Egyptology. Fragmenta : Journal of the Royal Netherlands Institute in Rome, 5(2011), 247-262. https://doi.org/10.1484/J.FRAG.1.103519
  • Weststeijn, T. (2014). Art and Knowledge in Rome and the Early Modern Republic of Letters, 1500-1750: An Introduction. Fragmenta : Journal of the Royal Netherlands Institute in Rome, 5(2011), 1-12. https://doi.org/10.1484/J.FRAG.1.103508
  • Weststeijn, T. (2014). 'Zoo eigenzinnig in zyne verkiezingen': Rembrandt in de ogen van tijdgenoten, 1630-1730. In J. Rutgers, & M. Rijnders (Eds.), Rembrandt in perspectief: de veranderende visie op de meester en zijn werk (pp. 12-40). Waanders.
  • Open Access
    Bod, R., Maat, J., & Weststeijn, T. (2014). Introduction: The making of the modern humanities. In R. Bod, J. Maat, & T. Weststeijn (Eds.), The making of the humanities. - Vol. 3: The modern humanities (pp. 13-24). Amsterdam University Press. http://www.oapen.org/search?identifier=500288
  • Open Access
    Bod, R., Maat, J., & Weststeijn, T. (Eds.) (2014). The making of the humanities. - Volume III: The Modern Humanities. Amsterdam University Press. https://doi.org/10.26530/OAPEN_500288
  • Open Access
    Weststeijn, T. (2014). Cultural Reflections on Porcelain in the Seventeenth-Century Netherlands. In J. van Campen, & T. Eliens (Eds.), Chinese and Japanese Porcelain for the Dutch Golden Age (pp. 213-229, 265-268). Rijksmuseum Amsterdam.
  • Weststeijn, T. (2013). Art Literature and Theory of Art. Oxford Bibliographies, Renaissance and Reformation. https://doi.org/10.1093/OBO/9780195399301-0035
  • Weststeijn, T. (2013). [Review of: L. de Vries. How to create beauty: De Lairesse on the theory and practice of making art]. Renaissance Quarterly, 66(2), 623-624. https://doi.org/10.1086/671614
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