Search results
Results: 13
Number of items: 13
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Geil, A., & Jirsa, T. (Eds.) (2023). Reconfiguring the Portrait. (Technicities). Edinburgh University Press. https://doi.org/10.1515/9781399525091
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Geil, A., & Jirsa, T. (2023). Configurations of Portraiture: Subjectivity, Techniques, Mediality. In A. Geil, & T. Jirsa (Eds.), Reconfiguring the Portrait (pp. 1-17). (Technicities). Edinburgh University Press. https://doi.org/10.1515/9781399525091-005
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de Zeeuw, D., & Geil, A. (2023). 'This Person Does Not Exist': From Real Generalization to Algorithmic Abstraction in Photographic Portraiture. In A. Geil, & T. Jirsa (Eds.), Reconfiguring the Portrait (pp. 43-60). (Technicities). Edinburgh University Press. https://doi.org/10.1515/9781399525091-007
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Geil, A. (2023). The Line of the Impossibility of Flight: Eisenstein, Disney, Malabou. In E. Brinkema, R. Clark, & E. Waldman (Eds.), Graphic Formalism (ASAP/J). ASAP/J. https://asapjournal.com/graphic-formalism-the-line-of-the-impossibility-of-flight-eisenstein-disney-malabou-abraham-geil/ -
Geil, A. (2020). ‘The Cruel Radiance of What Is’: Empathy, Imagination and Estrangement in Johan van der Keuken’s Face Value and Herman Slobbe. Paragraph, 43(3), 330-347. https://doi.org/10.3366/para.2020.0344
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Geil, A. (2019). Plasmatic Mimesis: Notes on Eisenstein’s (inter)Faces. World Literature Studies , 11(4), 26-41. https://www.ceeol.com/search/journal-detail?id=455
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Geil, A. (2018). The Intervals of Habit. World Picture Journal, 13, 1-32. http://www.worldpicturejournal.com/WP_13/Geil_13.html
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Geil, A. (2018). Between gesture and physiognomy: ‘universal language’ and the metaphysics of film form in Béla Balázs’s Visible Man. Screen, 59(4), 512-522. https://doi.org/10.1093/screen/hjy054
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Geil, A. (2017). Paranoid Critiques, Reparative Reductions: Leys, Sedgwick, and the Productive Opacity of Affect. Polygraph: An International Journal of Culture & Politics, 26, 36-64. https://polygraphjournal.files.wordpress.com/2018/02/polygraph-26_abraham-geil1.pdf
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