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Results: 22
Number of items: 22
  • Open Access
    Souch, I., Saunders, R. A., & Risum Waade, A. M. (2024). Landscapes in the Frame: Anthropocene screens. Critical Studies in Television, 19(3), 273-291. https://doi.org/10.1177/17496020241259277
  • Open Access
    Souch, I. (2024). The Underground and End of Geologic Imaginations in the Finnish/Swedish TV Series White Wall. Critical Studies in Television, 19(3), 314-331. https://doi.org/10.1177/17496020241258712
  • Open Access
    Kenny, I., & Souch, I. (2024). The Goshawk Did It: Nature Writing and Detection in Ann Cleeves’ The Crow Trap. In N. Ashman (Ed.), The Routledge Handbook of Crime Fiction and Ecology (pp. 26-38). (Routledge literature handbooks). Routledge. https://doi.org/10.4324/9781003091912-4
  • Saunders, R. A., Souch, I., & Waade, A. M. (2023). Screening Arctic Landscapes in Nordic Television Drama: Anthropocenic Imaginaries, Ecological Crises, National Identities. In D. White, J. Peck, & C. Goldie (Eds.), Disturbed Ecologies : Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis (pp. 257-282). Transcript Verlag. https://doi.org/10.14361/9783839460269-012, https://doi.org/10.1515/9783839460269-012
  • Open Access
    Kenny, I. M., & Souch, I. (2023). Reconsidering Polar Literature in the Anthropocene: Hope in the Works of Jean McNeil and Barry Lopez . Hungarian Journal of English and American Studies, 29(1), 13-33. https://doi.org/10.30608/HJEAS/2023/29/1/2
  • Open Access
    Souch, I. (2023). The Unknowability of Post-nuclear Landscapes in the Russian Television Series Chernobyl, Exclusion Zone. In M. Hristova, A. DeBlasio, & I. Anisimova (Eds.), Energy/Waste: Approaches to the Environment in Post-Soviet Cultures (pp. 183-204). (Slavica Bergensia; Vol. 14). University of Bergen. https://doi.org/10.15845/slavberg.21.c137
  • Open Access
    Souch, I., Mikhailin, V., & Belyaeva, G. (2023). The waning of the young sincere hero in Averbakh and Maslennikov’s The Private Life of Kuziaev Valentin. Studies in Russian and Soviet Cinema, 17(1), 6-20. https://doi.org/10.1080/17503132.2023.2163960
  • Open Access
    Souch, I. (2023). Apocalyptic Pandemic in Yana Vagner’s To The Lake. Russian Literature, 138-139, 131-149. https://doi.org/10.1016/j.ruslit.2022.11.013
  • Open Access
    Souch, I. (2022). Troubling the Water: Hydro-imaginaries in Nordic Television Drama. Akademisk Kvarter, 25(12), 51-63. https://doi.org/10.54337/academicquarter.vi25.7635
  • Open Access
    Kenny, I., & Souch, I. (2022). When a Real Storm Hits the Shores: Representing Climate Crisis in the Television Series 'The Swell'. Interférences litteraires/literaire interferenties, 27(2), 77-94. Article 6. http://www.interferenceslitteraires.be/index.php/illi/article/view/1231
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