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Results: 22
Number of items: 22
  • Open Access
    Li, W. (2023). Painters’ playbooks: Deep mapping socio-spatial strategies in the art market of seventeenth-century Amsterdam. [Thesis, fully internal, Universiteit van Amsterdam].
  • Noordegraaf, J., van Erp, M., Zijdeman, R., Raat, M., van Oort, T., Zandhuis, I., Vermaut, T., Mol, H., van der Sijs, N., Doreleijers, K., Baptist, V., Vrielink, C., Assendelft, B., Rasterhoff, C., & Kisjes, I. (2021). Semantic Deep Mapping in the Amsterdam Time Machine: Viewing Late 19th- and early 20th-Century Theatre and Cinema Culture Through the Lens of Language Use and Socio-Economic Status. In F. Niebling, S. Münster, & H. Messemer (Eds.), Research and Education in Urban History in the Age of Digital Libraries: Second International Workshop, UHDL 2019, Dresden, Germany, October 10–11, 2019, Revised Selected Papers (pp. 191-212). (Communications in Computer and Information Science; Vol. 1501). Springer. https://doi.org/10.1007/978-3-030-93186-5_9
  • Rasterhoff, C., & Beelen, K. (2020). Coordination in early modern markets for knowledge: ‘Always something new’. In I. Leemans, & A. Goldgar (Eds.), Early Modern Knowledge Societies as Affective Economies (pp. 228-250). (Knowledge Societies in History). Routledge. https://doi.org/10.4324/9780429270222-9
  • Rasterhoff, C. (2020). Urban research in another dimension: methods for modelling historical cities. In N. Verloo, & L. Bertolini (Eds.), Seeing the City: Interdisciplinary Perspectives on the Study of the Urban (pp. 145-159). (Perspectives on Interdisciplinarity; Vol. 6). Amsterdam University Press. https://doi.org/10.2307/j.ctv1b741xh.13
  • Open Access
    Dekker, A., Oomen, J., van Lente, H., Wijers, G., Mul, G., Ras, M., van Saaze, V., & Rasterhoff, C. (2020). Innovative Digital Infrastructures: The Issue of Sustainability: An Online Rountable Discussion. Stedelijk Studies, 10, Article 2. https://doi.org/10.54533/StedStud.vol010.art02
  • Rasterhoff, C. (2018). Mirroring Two Golden Ages: Values and Visions in Seventeenth- and Nineteenth-Century Amsterdam. In I. Van Damme, B. De Munck, & A. Miles (Eds.), Cities and creativity from the Renaissance to the present (pp. 105-126). (Routledge Advances in Urban History; Vol. 1). Routledge. https://doi.org/10.4324/9781315167046-6
  • Rasterhoff, C. (2018). [Review of: S. van Ginhoven (2017) Connecting Art Markets. Guilliam Forchondt’s Dealership in Antwerp (c.1632–78) and the Overseas Paintings Trade]. Renaissance Quarterly, 71(1), 253-254. https://doi.org/10.1086/697781
  • Nijboer, H., & Rasterhoff, C. (2018). Linked Cultural Events: Digitizing Past Events and Implications for Analyzing the ‘Creative City’. In S. Münster, K. Friedrichs, F. Niebling, & A. Seidel-Grzesińska (Eds.), Digital Research and Education in Architectural Heritage: 5th Conference, DECH 2017, and First Workshop, UHDL 2017, Dresden, Germany, March 30-31, 2017 : revised selected papers (pp. 22-33). ( Communications in Computer and Information Science; Vol. 817). Springer. https://doi.org/10.1007/978-3-319-76992-9_2
  • Rasterhoff, C. (2018). The Markets for Art, Books, and Luxury Goods. In H. J. Helmers, & G. H. Janssen (Eds.), The Cambridge Companion to the Dutch Golden Age (pp. 249-267). (Cambridge Companions to Culture). Cambridge University Press. https://doi.org/10.1017/9781316771549.017
  • Open Access
    Rasterhoff, C. (2018). [Bespreking van: N. Dockx, P. Gielen (2018) Commonism: a new aesthetics of the real]. Boekman, 30(117), 58-59. https://www.boekman.nl/wp-content/uploads/2018/12/Boekbesprekingen_BM117.pdf
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