Search results
Results: 13
Number of items: 13
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de Waard, M. (2024). Fictions of (Dis)Incorporation: José Saramago and the People’s Two Bodies. Parallax, 30(1), 82-100. https://doi.org/10.1080/13534645.2024.2406072 -
de Waard, M., Boletsi, M., Farrant, M., & Nadkarni, D. (2024). Literature and Public World-Making: Introduction. Parallax, 30(1), 1-25. https://doi.org/10.1080/13534645.2024.2406069
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de Waard, M. (2024). Contrary Virtuosos? Paradoxes of a Liminal Figure. Comparative Critical Studies, 21(2-3), 189-204. https://doi.org/10.3366/ccs.2024.0529
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de Waard, M. (2024). Staging Division: Power, Violence, and Theatricality in The Baby of Mâcon. Journal of Aesthetics & Culture, 16(1), Article 2318816. https://doi.org/10.1080/20004214.2024.2318816
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de Waard, M. (2022). Peter Greenaway's Artist-Entrepreneurs. In T. Trifonova (Ed.), Screening the Art World (pp. 287-303). (Film Culture in Transition). Amsterdam University Press. https://doi.org/10.1515/9789048553662-017, https://doi.org/10.1017/9789048553662.017, https://doi.org/10.2307/j.ctv29j3dkw.19
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de Waard, M. (2022). Publics, Memory, Affect (or, Rethinking Publicness with Peter Watkins and Hannah Arendt). In A. Schwan, & T. Thomson (Eds.), The Palgrave Handbook of Digital and Public Humanities (pp. 131-147). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-11886-9_8
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de Waard, M. (2019). Theme-Based Teaching and Interdisciplinary Learning: A Case Study at Amsterdam University College, the Netherlands. In M. Nishimura, & T. Sasao (Eds.), Doing Liberal Arts Education: The Global Case Studies (pp. 47-59). (Education Innovation Series). Springer. https://doi.org/10.1007/978-981-13-2877-0_5
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de Waard, M. (2018). Art and Aisthesis in Derek Jarman's Caravaggio. In R. Esner, & S. Kisters (Eds.), The Mediatization of the Artist (pp. 147-163). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-66230-5_10
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de Waard, M. (2016). "The Morality of Style": John Morley as Essayistic Liberal. Nineteenth Century Prose, 43(1-2), 227-244. https://link.gale.com/apps/doc/A474547223/LitRC?u=amst&sid=LitRC&xid=0027696e
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de Waard, M. (2012). Redemptive Realism? History and Intertextuality in On Chesil Beach. In S. Isomaa, S. Kivistö, P. Lyytikäinen, S. Nyqvist, N. Polvinen, & R. Rossi (Eds.), Rethinking Mimesis: Concepts and Practices of Literary Representation (pp. 229-250). Cambridge Scholars Publishers. https://doi.org/https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=532180&site=ehost-live&scope=site&ebv=EB&ppid=pp_229
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