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Results: 16
Number of items: 16
  • Open Access
    Dodds, T., & Geboers, M. (2026). Advancing Mixed Digital Methods: Digital Ethnography and Digital Methods in Contemporary Media Cultures. In J. Hendrickx, & M. Opgenhaffen (Eds.), Research Methods for Social Media Journalism (pp. 25-38). (Routledge Research in Journalism; Vol. 60). Routledge. https://doi.org/10.4324/9781003568766-4
  • Open Access
    Dodds, T., Geboers, M., & Boukes, M. (2026). “It became no man’s land”: The burden of moderating online harassment in newswork. Journalism Practice, 20(3), 953-970. https://doi.org/10.1080/17512786.2024.2387664
  • Geboers, M., Pilipets, E., & Delawar-Kasmai, D. (2025). Detouring, Rerouting, Weaponization: The Secondary Orality of WarTok. In J. Zeng, D. Nguyen, & B. Mutsvairo (Eds.), Technology, Power and Society: Critical Perspectives on the Global Digital Transformation (pp. 144-165). (Technology, Power & Society; Vol. 1). Brill. https://doi.org/10.1163/9789004711396_009
  • Open Access
    Pilipets, E., & Geboers, M. (2025). Synthetic imaginaries of “sensitive” AI: On ambient amplification and jail(break)ing as method. Platforms & Society, 2. https://doi.org/10.1177/29768624251378110
  • Open Access
    Geboers, M., & Pilipets, E. (2025). Refrains of Solidarity – #StandWithUkraine on TikTok. In M. Berg, A. Lorenz, & K. Oswald (Eds.), Geschichte auf Instagram und TikTok: Perspektiven auf Quellen und Praktiken (pp. 453-469). (Medien der Geschichte; Vol. 8). De Gruyter Oldenbourg. https://doi.org/10.1515/9783111360874, https://doi.org/10.1515/9783111360874-021
  • Open Access
    Cano-Orón, L., Llorca-Abad, G., Trejo-Quintana, J., Rizzuto, F., & Geboers, M. (2024). Editorial: Democracy under siege: how actors, communication strategies, and emerging phenomena are changing the rules in the public sphere. Frontiers in Communication, 9, Article 1497692. https://doi.org/10.3389/fcomm.2024.1497692
  • Open Access
    Geboers, M., & Hammelburg, E. (2024). Elevating the Antagonist Encounter: How the ‘Stitch’ Transforms Victimhood Contestation on TikTok. Anglica: an international journal of English studies, 33(2), 143-158. https://doi.org/10.7311/0860-5734.33.2.08
  • Open Access
    Geboers, M., & Pilipets, E. (2024). Networked Masterplots: Music, Pro-Russian sentiment and participatory propaganda on TikTok. Journal of Digital Social Research, 6(1), 90-103. https://doi.org/10.33621/jdsr.v6i1.201
  • Open Access
    Pilipets, E., & Geboers, M. (2024). Brake the meme machine: Slow circulation, ‘Z' gesture, and pro-war propaganda on TikTok. In C. Arkenbout, & I. Galip (Eds.), Critical Meme Reader III: Breaking the Meme (pp. 154-162). (INC Reader; Vol. 17). Institute of Network Cultures. https://networkcultures.org/blog/publication/critical-meme-reader-iii-breaking-the-meme/
  • Geboers, M., & Dodds, T. (2023). Mapping Mobs: Technological Affordances, Metrics, and Digital Violence Against Journalists. In T. Erbaysal-Filibeli, & M. Öneren-Özbek (Eds.), Mapping Lies in the Global Media Sphere (Routledge Studies in New Media and Cyberculture). Routledge. https://doi.org/10.4324/9781003403203-5
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