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Results: 63
Number of items: 63
  • Open Access
    de Leij, N. F. (2025). The terms of critique: On art as critique in October journal. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Peperkamp, M. M. J. (2025). Techno-critical dimensions of art: Challenging hegemonic negations of nature. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Kovač, L., Lerm-Hayes, C.-M., van Rijn, I., & Saloul, I. (Eds.) (2023). W.G. Sebald's Artistic Legacies: Memory, Word and Image. (Heritage and Memory Studies). Amsterdam University Press. https://doi.org/10.2307/j.ctv37363wr, https://doi.org/10.1515/9789048554133, https://doi.org/10.1017/9789048554133
  • Lerm-Hayes, C.-M. (2023). Brian O’Doherty/Patrick Ireland: A modest proposal to decolonise Ireland. In E. Mazadiego (Ed.), Charting Space: The Cartographies of Conceptual Art (pp. 99-115). (Rethinking Art's Histories). Manchester University Press.
  • Lerm Hayes, C.-M. (2023). Reading Time and Infrastructural Critique: Christa-Maria Lerm Hayes reflects on Brian O’Doherty’s Social Practice Legacy. Visual Arts News Sheet, 2023(4), 9. https://visualartists.ie/out-now-july-august-issue-of-the-visual-artists-news-sheet-3/
  • Open Access
    Lerm-Hayes, C.-M. (2023). Memory, Word and Image in Sebald and Joyce: Towards a Transhistorical Ethics Communicated Through Minor Interventions in the Form of the Printed Book. In L. Kovač, C.-M. Lerm Hayes, I. van Rijn, & I. Saloul (Eds.), W.G. Sebald’s Artistic Legacies: Memory, Word and Image (pp. 227-242). (Heritage and Memory Studies). Amsterdam University Press. https://doi.org/10.2307/j.ctv37363wr.16, https://doi.org/10.1515/9789048554133-014, https://doi.org/10.1017/9789048554133.013
  • Open Access
    Huiskens, M. D. H. P. (2023). Beyond being an Italian sculptor: The exile of Fred Carasso in the Low Countries after the rise of fascism, 1928-1958. [Thesis, externally prepared, Universiteit van Amsterdam, Università degli Studi di Salerno].
  • Open Access
    Vorster, S. (2023). Curating justice after apartheid: South Africa's constitutional court art collection. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Lerm Hayes, C.-M. (2022). Aspect Change, Oscillation, Parallax, Untranslatability. In T. Melzer (Ed.), Atlas of Aspect Change (pp. 405-416). Rollo Press.
  • Lerm-Hayes, C.-M. (2022). A Shout in the Street: Some artists’ dialectical theory of urbanism. In A. Gowen (Ed.), Rights of Way: The body as witness in public space (pp. 21-34). Onomatopee.
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