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Results: 14
Number of items: 14
  • van der Meer, W. (2014). Audience response and expressive pitch inflections in a live recording of legendary singer Kesar Bai Kerkar. In D. Fabian, R. Timmers, & E. Schubert (Eds.), Expressiveness in music performance: Empirical approaches across styles and cultures (pp. 170-184). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199659647.003.0010
  • Open Access
    van der Meer, W., & Erickson, R. (2014). Resonating Cultural Musicology: sources, streams and issues. In W. van der Meer (Ed.), Cultural Musicology iZine Musicology at Amsterdam University, Bake Society. http://culturalmusicology.org/cultural-musicology-3/
  • Open Access
    van der Meer, W. (2013). Enchanting voices. In F. Kouwenhoven, & J. Kippen (Eds.), Music, dance and the art of seduction (pp. 49-70). Eburon.
  • Open Access
    Marković, A. (2013). Sounding stereotypes: Construction of place and reproduction of metaphors in the music of Goran Bregović. [Thesis, externally prepared, Universiteit van Amsterdam].
  • van der Meer, W., & Rao, S. (2012). Preface. Journal of the Indian Musicological Society, 41, iii-vi.
  • Open Access
    van der Meer, W. (2012). Cultural Evolution: a case study of Indian music. Journal of the Indian Musicological Society, 41, 53-71.
  • Open Access
    Rao, S., & van der Meer, W. (2010). The construction, reconstruction, and deconstruction of shruti. In J. Bor, F. Delvoye, J. Harvey, & E. te Nijenhuis (Eds.), Hindustani music: thirteenth to twentieth centuries (pp. 673-696). Manohar.
  • van der Meer, W., & Rao, S. (2008). Introduction: [section on composition]. Journal of the Indian Musicological Society, 39, 1-4.
  • van der Meer, W. (2008). Improvisation versus reproduction, India and the world. New Sound, 32(2), 68-78. http://www.newsound.org.rs/clanci_eng/6.%20Wim_van_der_Meer.pdf
  • Vignau, C. (2008). Modernity, complex societies and the alphorn. [Thesis, externally prepared, Universiteit van Amsterdam].
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