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Results: 30
Number of items: 30
  • Bussels, S., & Van Oostveldt, B. (2019). La comportement rétabli' et la performance de la Pucelle de la ville dans les joyeuses entrées à Anvers. In R. Dekoninck, M. Delbeke, A. Delfosse, C. Heering, & K. Vermeir (Eds.), Cultures du spectacle baroque: Cadres, expériences et représentations des solennités religieuses entre Italie et anciens Pays-Bas (pp. 297-317). (Artes (Institut historique belge de Rome); Vol. 10). Belgisch Historisch Instituut te Rome. https://www.academia.edu/38848302/Le_Comportement_R%C3%A9tabli_et_la_performance_de_la_Pucelle_de_la_ville_dans_les_joyeuses_entr%C3%A9es_%C3%A0_Anvers
  • van Oostveldt, B. (2018). Ménestrier’s Des représentations en musique (1681) und die Wirkung des Erhabenen im Spektakel. In A. Kappeler, J. Lazardzig, & N. Gess (Eds.), Images d’action : Claude-François Ménestrier’s theoretical writings on festivals and performing arts = Claude-François Ménestriers fest- und inszenierungstheoretische Schriften: translation and commentary = Übersetzung und Kommentar (pp. 589-601). (Eikones). Wilhelm Fink. https://doi.org/10.30965/9783846762257_026
  • van Oostveldt, B. (2018). Ménestrier’s Des représentations en musique (1681) and the Sublime Effect of Spectacle. In A. Kappeler, J. Lazardzig, & N. Gess (Eds.), Images d’action : Claude-François Ménestrier’s theoretical writings on festivals and performing arts = Claude-François Ménestriers fest- und inszenierungstheoretische Schriften: translation and commentary = Übersetzung und Kommentar (pp. 577-588). (Eikones). Wilhelm Fink. https://doi.org/10.30965/9783846762257_025
  • Bussels, S., & Van Oostveldt, B. (2018). Il Restored Behaviour e la performance della Vergine di Antverpia. In F. Bortoletti, & A. Sacchi (Eds.), La Performance Della Memoria: La scena del teatro come luogo di sopravvivenze, ritorni, tracce e fantasmi (pp. 129-159). Baskerville. https://issuu.com/baskerville.it/docs/performancememoria__baskerville
  • van Oostveldt, B., & Bussels, S. (2017). The Sublime and French Seventeenth-Century Theories of the Spectacle: Toward an Aesthetic Approach to Performance. Theatre Survey, 58(2), 209-232. https://doi.org/10.1017/S0040557417000072
  • van Oostveldt, B. (2017). 'Ut Sculptura Theatrum': On the Relation between Theatre and Sculpture in the Late-Eighteenth Century. In C. van Eck (Ed.), Idols and museum pieces: The nature of sculpture, its historiography and exhibition history 1640-1880 (pp. 145-158). (Studien aus dem Warburg-Haus). De Gruyter.
  • van Oostveldt, B. (2017). Spectatorship in French Theater Architecture: Stage and Public Space. In H. F. Mallgrave, C. van Eck, & S. de Jong (Eds.), The Companions to the History of Architecture. - Volume 2: Eighteenth-century architecture (pp. 257-284). Wiley Blackwell. https://doi.org/10.1002/9781118887226.wbcha040
  • van Oostveldt, B. (2017). Margravial Opera House Bayreuth (1748). In H. F. Mallgrave, C. van Eck, & S. de Jong (Eds.), Companion to the History of Architecture. - Volume 2: Eighteenth-century architecture (pp. 593-597). Wiley Blackwell. https://doi.org/10.1002/9781118887226.wbcha060
  • Bussels, S., van Oostveldt, B., Jansen, W., Knegtel, F., & Plezier, L. (2017). Sublime. In M. Sgarbi (Ed.), Encyclopedia of Renaissance Philosophy (Living ed.). Springer. https://doi.org/10.1007/978-3-319-02848-4_1136-1
  • Bussels, S., & Van Oostveldt, B. (2017). The Massacre of the Innocents: Infantice and Solace in the Seventeenth-Century Low Countries. In T. Macsotay, C. van der Haven, & K. Vanhaesebrouck (Eds.), The hurt(ful) body : Performing and beholding pain, 1600–1800 (pp. 49-73). Manchester University Press.
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