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Results: 16
Number of items: 16
  • Open Access
    Duivenvoorden, J. R., Kramer, R. P., van Eikema Hommes, M. H., Iedema, P. D., Hermans, J. J., & Keune, K. (2023). The distribution and transport of water in oil paintings: A numerical moisture diffusion model. International Journal of Heat and Mass Transfer, 202, Article 123682. https://doi.org/10.1016/j.ijheatmasstransfer.2022.123682
  • Open Access
    Van Eikema Hommes, M., Van Der Werf, I., Bakker, P., & Kirsch, K. (2023). Cornelis Tromp’s trophies: The origins of a late portrait (1675-1676) by Ferdinand Bol. Oud Holland, 136(1), 17-48. https://doi.org/10.1163/18750176-13601002
  • Waldron, K. J., Burnstock, A., van den Berg, K. J., van Eikema Hommes, M., Megens, L., & de Groot, S. (2022). An Investigation of Discoloured Oil-bound Copper Green Glazes in a Seventeenth-century Harpsichord Lid, With Reference to Reconstructions. Studies in Conservation, 67(8), 584-602 . https://doi.org/10.1080/00393630.2021.1954440
  • van Eikema Hommes, M., Keune, K., Jongsma, R., & Pottasch, C. (2018). Determining the early 18th-century colour scheme of the Golden Room in the Mauritshuis, The Hague: interpretation issues caused by changes to paint chemistry. In M. Jablonski, & K. T. Moffitt (Eds.), Macro to Micro: Examining Architectural Finishes (pp. 49-58). Archetype Publications.
  • van Eikema Hommes, M., Keune, K., Bakker, P., & Verslype, I. (2016). Andries Warmoes's Triumphant Procession (1778) in the Hofkeshuis: a technical study of an exceptional painted wall hanging. In A. Wallert (Ed.), Painting Techniques: History, materials and studio practice : 5th international symposium (pp. 182-191). Rijksmuseum.
  • Keune, K., Kramer, R. P., Huijbregts, Z., Schellen, H. L., Stappers, M. H. L., & van Eikema Hommes, M. H. (2016). Pigment Degradation in Oil Paint Induced by Indoor Climate: Comparison of Visual and Computational Backscattered Electron Images. Microscopy and Microanalysis, 22(2), 448-457. https://doi.org/10.1017/S1431927616000076
  • Bakker, P., van Eikema Hommes, M. H., & Keune, K. (2015). The coarse painter and his position in 17th- and 18th-century Dutch decorative painting. In H. Evans, & K. Muir (Eds.), Studying 18th-century paintings and works of art on paper: CATS Proceedings, II, 2014 (pp. 70-82). Archetype Publications. http://www.cats-cons.dk/wp-content/uploads/2012/10/FINAL-pdf-version-of-the-CATS-Proceedings-II.pdf
  • Verslype, I., Verhave, J., Smelt, S., Keune, K., Sigmond, H., & van Eikema Hommes, M. (2015). A ‘painted chamber’ in Beverwijk by Jacobus Luberti Augustini: novel insights into the working methods and painting practices in a painted wall-hanging factory. In H. Evans, & K. Muir (Eds.), Studying 18th-century paintings and works of art on paper: CATS Proceedings, II, 2014 (pp. 83-95). Archetype Publications. http://www.cats-cons.dk/wp-content/uploads/2012/10/FINAL-pdf-version-of-the-CATS-Proceedings-II.pdf
  • van Eikema Hommes, M., & Kolfin, E. (2013). De Oranjezaal in Huis ten Bosch: een zaal uit loutere liefde. Waanders Uitgevers.
  • van Eikema Hommes, M., & Bakker, P. (2008). Hoogachtbaarheid en ontzaglijke grootheid: de burgemeesterskamer van het stadhuis van Enkhuizen. In H. van Nierop, E. Grabowsky, A. Janssen, H. Leeflang, & G. Verhoeven (Eds.), Romeyn de Hooghe: de verbeelding van de late Gouden Eeuw (pp. 222-243). Waanders.
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