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Results: 25
Number of items: 25
  • Open Access
    Wilderom, R., & van Venrooij, A. (2025). The dance of markets and movements: The emergence and development of dance genres in the US, UK, and the Netherlands, 1985–2005. Poetics, 109, Article 101970. https://doi.org/10.1016/j.poetic.2024.101970
  • van Venrooij, A., & Wilderom, R. (2023). The dynamics of dance: An early history of electronic dance music. In A. Bennett (Ed.), The Bloomsbury Handbook of Popular Music and Youth Culture (pp. 257-280). (Bloomsbury Handbooks). Bloomsbury Academic. https://doi.org/10.5040/9781501333729.ch-013
  • Open Access
    Wilderom, R. (2023). Genres, webs of fields, and institutional change: The development of dance in the US, UK, and the Netherlands, 1985 – 2005. [Thesis, fully internal, Universiteit van Amsterdam].
  • van Venrooij, A., Miller, C., & Schmutz, V. (2022). Race and Genre Ambiguity in the Critical Reception of Popular Music. Sociological Inquiry, 92(2), 568-596. https://doi.org/10.1111/soin.12470
  • Schmutz, V., & van Venrooij, A. (2021). Harmonizing Forms of Legitimacy in the Consecration of Popular Music. American Behavioral Scientist, 65(1), 83-98. https://doi.org/10.1177/0002764218813607
  • Open Access
    van Venrooij, A. (2021). Book Review: “Measuring Culture”: [Review of: J.W. Mohr, C. Bail, M. Fryre, J. Lena, O. Lizardo, T. McDonnell, A. Mische, I. Tavory, F. Wherry (2020) Measuring Culture]. ASA Sociology Culture Section Newsletter, 35(5), 13-15. https://asaculturesection.files.wordpress.com/2021/07/spring-2021-culture-section-newsletter-vol.-35-issue-5-1.pdf
  • Open Access
    Punt, M. B., & van Venrooij, A. (2021). Signals in the Waves of Surf: Category Development and Signals in Surf Music. Sociological Perspectives, 64(3), 387-410. https://doi.org/10.1177/0731121420950367
  • Wilderom, R., & van Venrooij, A. (2019). Intersecting fields: The influence of proximate field dynamics on the development of electronic/dance music in the US and UK. Poetics, 77, Article 101389. https://doi.org/10.1016/j.poetic.2019.101389
  • van Venrooij, A. (2018). The French Alternative to Bourdieu? Hennion, Actor-Network Theory, and the Sociology of Mediation. Contemporary Sociology, 47(4), 408-412. https://doi.org/10.1177/0094306118779812
  • Schmutz, V., & van Venrooij, A. (2018). Concurrence, consensus et consécration dans la musique populaire. In L. Ellena, P. Humeau, & F. Renard (Eds.), La reconnaissance à l’oeuvre: Luttes de classement artistique, processus, ambivalence (pp. 145-162). (Sociologie et sciences sociales). Pulim.
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