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Results: 55
Number of items: 55
  • Open Access
    Berbers, S. V. J., Pause, R., van der Werf, I. D., van den Berg, K. J., & van Bommel, M. R. (2025). Fanal® pigments in the spotlight: The characterisation of phosphorus tungsten molybdenum acid - PTMA - pigments. Dyes and Pigments, 239, Article 112714. https://doi.org/10.1016/j.dyepig.2025.112714
  • Open Access
    Pause, R. (2024). Tracing synthetic organic pigments in Talens paints and modern artworks (1908-1955). [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Reus, S., de Sotto Bastos, E., van Bommel, M. R., & van den Berg, K. J. (2024). Investigation of 19th and early 20th century Prussian blue production methods and their influence on the pigment composition and properties. Dyes and Pigments, 225, Article 112093. https://doi.org/10.1016/j.dyepig.2024.112093
  • Open Access
    Patin, G. (2024). Improved microfading device for risk assessment of colour change in Van Gogh’s works. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Patin, G., Hendriks, E., & van den Berg, K. J. (2023, August 4). Patin_PhD_Microfading-VanGogh_data-figures [Data set]. Zenodo. https://doi.org/10.5281/zenodo.8216109
  • Waldron, K. J., Burnstock, A., van den Berg, K. J., van Eikema Hommes, M., Megens, L., & de Groot, S. (2022). An Investigation of Discoloured Oil-bound Copper Green Glazes in a Seventeenth-century Harpsichord Lid, With Reference to Reconstructions. Studies in Conservation, 67(8), 584-602 . https://doi.org/10.1080/00393630.2021.1954440
  • Pause, R., de Keijzer, M., & van den Berg, K. J. (2022). Phosphorus, Tungsten, and Molybdenum – from Brilliant to Fanal®: Unusual Precipitation Methods of Triphenylmethane Dyes in the Early Twentieth Century. Studies in Conservation, 67(8), 569-583 . https://doi.org/10.1080/00393630.2021.1952820
  • Open Access
    Pause, R., de Keijzer, M., & van den Berg, K. J. (2022). From synthetic organic pigments to tube paints: Royal Talens’ business activities in relation to its pigment suppliers in the interbellum . In D. Oltrogge, J. H. Townsend, A. Haack-Christensen, & M. Stols-Witlox (Eds.), Reflecting on Reconstructions : The Role of Sources and Performative Methods in Art Technological Studies: Proceedings of the eighth symposium of the ICOM-CC working group on Art Technological Source Research, held at the Cologne Institute of Conservation Sciences, University of Applied Sciences, Cologne, 26-27 September 2019 (pp. 97-106). ICOM-CC. https://www.icom-cc-publications-online.org/4611/From-synthetic-organic-pigments-to-tube-paints--Royal-Talens-business-activities-in-relation-to-its-pigment-suppliers-in-the-interbellum-
  • Open Access
    Patin, G., Erdmann, R. G., Ligterink, F., Neevel, J. G., van den Berg, K. J., & Hendriks, E. (2022). An enhanced optical micro-fading device. Journal of Cultural Heritage, 57, 276-285. https://doi.org/10.1016/j.culher.2022.08.012
  • Open Access
    Bronken, I. A. T. (2022). French connections: Soft and dripping paint in Cobra and Art Autre (1949- 1972). [Thesis, externally prepared, Universiteit van Amsterdam].
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