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Johanson, K. (2016). On the Possibility of Early Modern Nostalgias. Parergon, 33(2), 1-15. https://doi.org/10.1353/pgn.2016.0072
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Johanson, K. (Ed.) (2016). Approaches to Early Modern Nostalgia. Parergon, 33(2). https://muse.jhu.edu/issue/36006
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Gray, J., Bounegru, L., Milan, S., & Ciuccarelli, P. (2016). Ways of Seeing Data: Towards a Critical Literacy for Data Visualizations as Research Objects and Research Devices. In S. Kubitschko, & A. Kaun (Eds.), Innovative Methods in Media and Communication Research (pp. 227-251). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-40700-5_12
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Menyhért, A. (2016). The Image of ‘Maimed Hungary’ in 20th Century Cultural Memory and the 21st Century Consequences of an Unresolved Collective Trauma: the Impact of the Treaty of Trianon. Environment, Space, Place, 8(2), 69-97. https://doi.org/10.5840/esplace20168211, https://doi.org/10.5749/envispacplac.8.2.0069
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Wesselink, C. (2016). Der Kultuurkamer zu willen: Die niederländische Künstlergesellschaft Arti et Amicitiae während der deutschen Besatzung. In A. Tiedemann (Ed.), Die Kammer schreibt schon wieder!: Das Reglement für den Handel mit moderner Kunst im Nationalsozialismus (pp. 111-123). (Schriften der Forschungsstelle "Entartete Kunst"; Vol. 10). De Gruyter.
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