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Jafari, P. (2018). Fluid History: Oil Workers and the Iranian Revolution. In T. Atabaki, E. Bini, & K. Ehsani (Eds.), Working for Oil: Comparative Social Histories of Labor in the Global Oil Industry (pp. 69-98). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-56445-6_4 -
Stelder, M. (2018). Other Scenes of Speaking: Listening to Palestinian Anticolonial-Queer Critique. Journal of Palestine Studies, 47(3), 45-61. https://doi.org/10.1525/jps.2018.47.3.45 -
Broere, S. (2018). [Review of: L. Topp (2017) Freedom and the Cage: Modern Architecture and Psychiatry in Central Europe, 1890-1914]. Isis, 1(109), 202-203. https://doi.org/10.1086/696669 -
Dekker, A. (2018). (Re)Coding the Past for the Future. In R. Adebayo, I. Farouk, S. Jones, & M. Rapeane-Mathonsi (Eds.), Proceedings of the 24th International Symposium on Electronic Art (pp. 239-246). Faculty of Arts and Design, Durban University of Technology. http://www.isea-archives.org/docs/2018/proceedings/ISEA2018_Proceedings.pdf -
Hollanders, D. (2018). Economists are the cheerleaders of finance: [Review of: M. Mazzucato (2018) The Value of Everything: Making and Taking in the Global Economy]. Finance and Society, 4(2), 214-215. https://doi.org/10.2218/finsoc.v4i2.2876 -
Pisters, P. (2018). Orchestration of the Senses in Yellow: Eisenstein's Fourth Dimension, Memory and Mirror-Touch Synaesthesia. In D. Martin (Ed.), Mirror-Touch Synaesthesia: Thresholds of Empathy with Art (pp. 71-90). Oxford University Press. http://patriciapisters.com/files/Scan-Pisters-Yellow.pdf -
Teurlings, J. (2018). Social Media and the New Commons of TV Criticism. Television & New Media, 19(3), 208-224 . https://doi.org/10.1177/1527476417709599
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