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van de Leur, W. (2018). The Reception and Development of Jazz in the Netherlands (1945–1970s). In H. Bak, F. Mehring, & M. Roza (Eds.), Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy (pp. 177–191). (Radboud Studies in Humanities; Vol. 7). Brill. https://doi.org/10.1163/9789004292017_010 -
Arps, A. (2018). Een omstreden koloniale beroemdheid: Het geweld en de reputatie van Raymond Westerling in de dekolonisatieliteratuur. Indische Letteren, 33(4), 452-466. https://verloren.nl/tijdschriften/indische-letteren -
Stamenković, D., Tasić, M., & Forceville, C. (2018). Facial expressions in comics: an empirical consideration of McCloud’s proposal. Visual Communication, 17(4), 407–432. https://doi.org/10.1177/1470357218784075 -
Banti, D., La Nasa, J., Lluveras Tenorio, A., Modugno, F., van den Berg, K. J., Lee, J., Ormsby, B., Burnstock, A., & Bonaduce, I. (2018). A molecular study of modern oil paintings: investigating the role of dicarboxylic acids in the water sensitivity of modern oil paints. RSC Advances, 8(11), 6001-6012. https://doi.org/10.1039/c7ra13364b -
Wubs-Mrozewicz, J. (2018). Witnessing the sea: Testimonials of seamen in the 'Seven Salt Ships' case (1564–1567) as sources for maritime, social, and legal history. International Journal of Maritime History, 30(4), 701-723. https://doi.org/10.1177/0843871418809249 -
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Grijzenhout, F. (2018). Het Straatje van Vermeer: een plaatsbepaling. Bulletin (KNOB), 117(1), 1-13. https://doi.org/10.7480/knob.117.2018.1.2014
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