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Results: 34,626
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  • Niessen, N. (2018). American Dreams ft. David Lynch. Cultural Critique, 99, 31-65. http://link.galegroup.com/apps/doc/A549271503/LitRC?u=amst&sid=LitRC&xid=463de341
  • Niessen, N. (2018). Hunting for Easter Eggs in the Dardennes' Rosetta. Camera Obscura, 33(1 (97)), 82-111. https://doi.org/10.1215/02705346-4336850
  • van Maas, S. (2018). The Sovereign Ear: Handel's Water Music and Aural Historiography. In B. Hellemans, & A. Jones Nelson (Eds.), Images, Improvisations, Sound, and Silence from 1000 to 1800 - Degree Zero (pp. 157-176). (Knowledge Communities; Vol. 6). Amsterdam University Press.
  • van Maas, S. (2018). Opening the Audiobook. Comparative Literature, 70(3), 337-356. https://doi.org/10.1215/00104124-6991744
  • Rogers, R. (2018). Digital methods for cross-platform analysis. In J. Burgess, A. Marwick, & T. Poell (Eds.), SAGE Handbook of Social Media (pp. 91-110). Sage.
  • Rasterhoff, C. (2018). [Review of: S. van Ginhoven (2017) Connecting Art Markets. Guilliam Forchondt’s Dealership in Antwerp (c.1632–78) and the Overseas Paintings Trade]. Renaissance Quarterly, 71(1), 253-254. https://doi.org/10.1086/697781
  • Nijboer, H., & Rasterhoff, C. (2018). Linked Cultural Events: Digitizing Past Events and Implications for Analyzing the ‘Creative City’. In S. Münster, K. Friedrichs, F. Niebling, & A. Seidel-Grzesińska (Eds.), Digital Research and Education in Architectural Heritage: 5th Conference, DECH 2017, and First Workshop, UHDL 2017, Dresden, Germany, March 30-31, 2017 : revised selected papers (pp. 22-33). ( Communications in Computer and Information Science; Vol. 817). Springer. https://doi.org/10.1007/978-3-319-76992-9_2
  • Rasterhoff, C. (2018). The Markets for Art, Books, and Luxury Goods. In H. J. Helmers, & G. H. Janssen (Eds.), The Cambridge Companion to the Dutch Golden Age (pp. 249-267). (Cambridge Companions to Culture). Cambridge University Press. https://doi.org/10.1017/9781316771549.017
  • Teixeira Lino, J., Symonds, J., & Funari, P. P. (2018). Conflict, Memory and Material Culture: The Archaeology of the Contestado War in Brazil (1912-1916). In P. Newson, & R. Young (Eds.), Post-Conflict Archaeology and Cultural Heritage: Rebuilding Knowledge, Memory and Community from War-Damaged Material Culture (pp. 72-91). Routledge. https://doi.org/10.4324/9781315472737-5
  • van Oostveldt, B. (2018). Ménestrier’s Des représentations en musique (1681) and the Sublime Effect of Spectacle. In A. Kappeler, J. Lazardzig, & N. Gess (Eds.), Images d’action : Claude-François Ménestrier’s theoretical writings on festivals and performing arts = Claude-François Ménestriers fest- und inszenierungstheoretische Schriften: translation and commentary = Übersetzung und Kommentar (pp. 577-588). (Eikones). Wilhelm Fink. https://doi.org/10.30965/9783846762257_025
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