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van Dijck, J., Poell, T., & de Waal, M. (2018). The Platform Society: Public Values in a Connective World. Oxford University Press. https://doi.org/10.1093/oso/9780190889760.001.0001
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Helmers, R. (2018). The travelling musician as cosmopolitan: Western performers and composers in mid-nineteenth-century St Petersburg and Moscow. In E. Kelly, M. Mantere, & D. Scott (Eds.), Confronting the National in the Musical Past (pp. 64-77). Routledge. https://doi.org/10.4324/9781315268279, https://doi.org/10.4324/9781315268279-5
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Gauthier, D. (2018). Machine Language and the Illegibility of the Zwischen. In P. Hesselberth, J. Houwen, E. Peeren, & R. de Vos (Eds.), Legibility in the Age of Signs and Machines (pp. 147-165). (Thamyris/intersecting: place, sex and race; Vol. 33). Brill Rodopi. https://doi.org/10.1163/9789004376175_011
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Tames, I., & Romijn, P. (2018). Transnational Identities of Dutch Nazi-Collaborators and their Struggle for Integration into the National Community. Journal of Modern European History, 16(2), 247-268. https://doi.org/10.17104/1611-8944-2018-2-247
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Seibt, O. (2018). The (musical) imaginarium of Konishi Yasuharu, or how to make Western music Japanese. In R. Strohm (Ed.), Studies on a Global History of Music: A Balzan Musicology Project (pp. 157-176). (SOAS Musicology Series). Routledge. https://doi.org/10.4324/9781315163970-8
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Gnade, M. (2018). The Volscians and Hernicians. In G. D. Farney, & G. Bradley (Eds.), The Peoples of Ancient Italy (pp. 461-472). De Gruyter. https://doi.org/10.1515/9781614513001
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Leezenberg, M. (2018). Foucault and Iran Reconsidered: Revolt, Religion, and Neoliberalism. Īrān-nāmag, 3(2), IV-XXVIII. https://www.irannamag.com/en/article/foucault-iran-reconsidered-revolt-religion-neoliberalism/
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