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Results: 34,626
Number of items: 34,626
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Lazardzig, J. (2018). A Mechano-Poetology of Spectacles: Ménestrier's Traité des tournois, joustes, carrousels et autres spectacles publics (1669). In A. Kappeler, J. Lazardzig, & N. Gess (Eds.), Images d’action : Claude-François Ménestrier’s theoretical writings on festivals and performing arts = Claude-François Ménestriers fest- und inszenierungstheoretische Schriften: translation and commentary = Übersetzung und Kommentar (pp. 369-383). (Eikones). Wilhelm Fink. https://doi.org/10.30965/9783846762257_019
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Buylaert, F., Verhoeven, G., Verlaan, T., & Vermoesen, R. (2018). Review of periodical articles. Urban History, 45(2), 351-374. https://doi.org/10.1017/S096392681800007X
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van Oort, T. (2018). Film and the Subconscious. Chaplain Henri Poels’ Views on the Psyche of the Catholic Movie Goer (1919). In R. Steinmetz (Ed.), A Treasure trove. Friend of the Photoplay – Visionary – Spy?: New Trans-disciplinary Approaches to Hugo Münsterberg‘s Life and Oeuvre (pp. 191-202). (Media Studien; Vol. 19). Leipziger Universitätsverlag.
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Vannieuwenhuyze, B. (2018). Oud papier? Twee steekkaartencollecties over laatmiddeleeuwse en vroegmoderne Brusselaars. Tijd-Schrift. Heemkunde en lokaal-erfgoedpraktijk in Vlaanderen, 8(1), 133-137. https://www.heemkunde-vlaanderen.be/images/HEEM_TS1_art_18_oudpapier.pdf
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Kursell, J. (2018). Carl Stumpf and the Beginnings of Research in Musicality. In H. Honing (Ed.), The Origins of Musicality (pp. 323-346). MIT Press. http://cognet.mit.edu/pdfviewer/book/9780262344548/chap14
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Urban, M. B. (2018). [Review of: R. Schillaci (2017) Libere]. Journal of Italian Cinema and Media Studies, 6(3), 405-407. https://doi.org/10.1386/jicms.6.3.405_5
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Makhortykh, M. (2018). #NoKievNazi: Social Media, Historical Memory and Securitization in the Ukraine Crisis. In V. Strukov, & V. Apryshchenko (Eds.), Memory and Securitization in Contemporary Europe (pp. 219-247). Palgrave Macmillan. https://doi.org/10.1057/978-1-349-95269-4_9
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