Search results

    Filter results

  • Full text

  • Document type

  • Publication year

  • Organisation

Results: 34,626
Number of items: 34,626
  • Open Access
    van Gemert, L. (2020). Un nuovo inizio per il teatro di Amsterdam. In R. Dagnino, & M. Prandoni (Eds.), Civiltà letteraria neerlandese: Aurote, testi e contesti dal Medioevo a oogi (pp. 118-135). Editore Ulrico Hoepli.
  • Open Access
    Kuiken, F., Vedder, I., Pot, A., & van den Tillaart, J. (2020). Academische taalvaardigheid aan de UvA: Stand van zaken en aanbevelingen. Universiteit van Amsterdam.
  • Open Access
    Bala, S. (2020). Theatre and the risk of fire. Biblioteca Teatrale, 133, 99-111.
  • Open Access
    Milan, S., & Barbosa, S. (2020). Enter the WhatsApper: Reinventing digital activism at the time of chat apps. First Monday, 25(1). https://doi.org/10.5210/fm.v25i12.10414
  • Open Access
    Broere, S. (2020). Auto-activity: Decolonization and the Politics of Knowledge in Early Postwar Indonesia, ca.1920-1955. Lembaran Sejarah, 16(2), 143-164. https://doi.org/10.22146/lembaran-sejarah.59911
  • Open Access
    Bruins, H. (2020). M.J. Granpré Molière: Architectuur en stedenbouw als beroep en als culturele opdracht in de 20ste eeuw. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Open Access
    Franssen, G. (2020). The celebritization of self-care: The celebrity health narrative of Demi Lovato and the sickscape of mental illness. European Journal of Cultural Studies, 23(1), 89-111. https://doi.org/10.1177/1367549419861636
  • Open Access
    Beraldo, D. (2020). Dividing by Zero. Tautology and Paradox in the Self-Description of Anonymous. Journal of Sociocybernetics, 17(1), 32-49. https://doi.org/10.26754/ojs_jos/jos.202014246
  • Open Access
    Schoonen, T. (2020). Tales of Similarity and Imagination: A modest epistemology of possibility. [Thesis, fully internal, Universiteit van Amsterdam]. Institute for Logic, Language and Computation.
  • Open Access
    Föllmer, M. (2020). [Review of: K.H. Pohl (2019) Gustav Stresemann: The Crossover Artist]. Journal of Modern History, 92(4), 968-970. https://doi.org/10.1086/711284
Page 527 of 3463