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Sztajnberg, K. (2022). Vacancies of Curiosity in the Reception of Êxtase. Mistral, 2(1), 78-83. https://doi.org/10.21827/mistral.1.39907 -
Hulstijn, J. (2022). Introduction. In E. H. Jeon, & Y. In'nami (Eds.), Understanding L2 proficiency: Theoretical and meta-analytical investigations (pp. 1-4). (Bilingual Processing and Acquisition; Vol. 13). John Benjamins Publishing Company. https://doi.org/10.1075/bpa.13.01hul
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Schlaman, M., & van Londen, H. (2022). Recept Archeologische veldkartering. (Receptenboek burgerparticipatie in de archeologie). Stichting Archeologie en Publiek. http://www.publieksarcheologie.nl/receptenboeken/recept-archeologische-veldkartering/
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Zwiep, I. (2022). Writing in a World of Strangers: the Invention of Jewish Literature Revisited. Journal of Latin Cosmopolitanism and European Literatures, 7, 1-20. https://doi.org/10.21825/jolcel.84828
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Bauduin, T. M. (2022). [Review of: J. Pawlik (2021) Remade in America: Surrealist Art, Activism, and Politics 1940−1978]. CAA Reviews. https://doi.org/10.3202/caa.reviews.2022.87
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Arps, A. (2022). The Fabrics of Home: Remembering the Indo-European Repatriation in Contractpensions-Djangan Loepah! Journal of Migration History, 8(3), 374-403. https://doi.org/10.1163/23519924-08030003
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Heerink, M. (2022). Civil War and Trauma in Valerius Flaccus’ Argonautica. In M. Heerink, & E. Meijer (Eds.), Flavian Responses to Nero's Rome (pp. 163-184). Amsterdam University Press. https://doi.org/10.2307/j.ctv2x8v9cq.9, https://doi.org/10.1515/9789048553570-008, https://doi.org/10.5117/9789463723756
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Rössler, B. (2022). Der Überwachung entgegenkommen: Paradoxien der Privatheit im Internet . In A. Honneth, K.-O. Maiwald, S. Speck, & F. Trautmann (Eds.), Normative Paradoxien : Verkehrungen des gesellschaftlichen Fortschritts (pp. 239-254). (Frankfurter Beiträge zur Soziologie und Sozialphilosophie ; Vol. 32). Campus. https://doi.org/10.12907/978-3-593-44695-0
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Bauduin, T. M. (2022). The incomparable artist: Renaissance painter Paolo Uccello in surrealist discourse around 1930. 21: Beiträge zur Kunstgeschichte und visuellen Kultur, 3(3), 657-682. https://doi.org/10.11588/xxi.2022.3.90236
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