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Burns, D. M. (2022). [Review of: R. Brouwer, E. Vimercati (2020) Fate, Providence, and Free Will: Philosophy and Religion in Dialogue in the Early Imperial Age]. Theologische Literaturzeitung, 147(5), 482–484. https://www.thlz.com/artikel/22509
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Salomon, S. (2022). Taking asylum seekers rights seriously under the Dublin III Regulation (C-720/20 and C-19/21). EU Law Live. https://eulawlive.com/op-ed-taking-asylum-seekers-rights-seriously-under-the-dublin-iii-regulation-c-720-20-and-c-19-21-by-stefan-salomon/
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Mercier, F. (2022). ‘Maybe if she stanned …’: Reinforcing fan identities and affirming positive fan-object relations through toxic practices in K-Pop fandom. The Journal of Fandom Studies, 10(2-3), 199-221. https://doi.org/10.1386/jfs_00063_1
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Calafato, Ö. B. (2022). Aile Arşivi, Sahaf ve Dijital Arşiv Yolculuğunda Bir Güzellik Kraliçesinin Fotoğrafının Serüveni. In A. Davaz, B. T. Keşoğlu, S. Ünlü, & T. Demirci (Eds.), Sempozyum Bildiri Kitabı : Türkiye’de Arşivciliğin Bugünü ve Yarını, Kadınların Arşivlerdeki Yeri Sempozyumu Bildiri Kitabı, 10-11 Nisan 2021 (pp. 363-387). Kadın Eserleri Kütüphanesi ve Bilgi Merkezi Vakfı.
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Bezold, J. (2022). [Review of: R. Daalder (2020) Van de Velde & Son : Marine Painters]. Oud-Holland, Reviews, Article 87. https://oudholland.rkd.nl/index.php/reviews/87-review-of-van-de-velde-son-2020
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Keuning, D., & Bezold, J. (2022). Gerard, Lina, en Jan Gratama als schilders en tekenaars. Eigenbouwer, 16, 22-33. http://johnbezold.com/articles/gerard-jan-lina-gratama-as-painters-drawers/
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van Amelsvoort, J. (2022). [Review of: T. Bewes (2022) Free Indirect : The Novel in a Postfictional Age]. The European Legacy, Toward New Paradigms, 27(7-8), 809-811. https://doi.org/10.1080/10848770.2022.2108014
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