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  • Jourdan, A. R. M. (2004). [Review of: T. Lentz (2002) Nouvelle histoire du Premier Empire. Napoléon et la conquête de l'Europe; Ph. (ed.) Dwyer (2001) Napoleon and Europe]. Revue Historique, 630, 448-451.
  • Bal, M. G. (2004). Critique of Voice. The Open Score of her Face. In L. Fleischman, & C. Goelz (Eds.), Analysieren als Deuten. Wolf Schmid zum 60. Geburtstag (pp. 31-51). Hamburg University Press.
  • Wintle, M. J. (2004). Waar loopt Europa's oostgrens? Het Europees Tijdschrift, 1(0), 16-20.
  • Wintle, M. J. (2004). [Review of: Herman J. de Jong. Catching up twice. The nature of Dutch industrial growth during the 20th century in a comparative perspective]. Economic History Review, 57(2), 428-429.
  • Maracz, L. K. (2004). De Turkse toetreding tot de Europese Unie. (Tocqueville reeks; No. 6). Edmund Burke Stichting.
  • van Dijck, J. (2004). Composing the Self. Of Diaries and Lifelogs. Fibreculture journal, 3. http://journal.fibreculture.org/issue3/index.html
  • van Dijck, J. (2004). Mediated memories: Personal Cultural Memory as an Object of Cultural Analysis. Continuum. Journal of Media and Cultural Studies, 18, 261-277.
  • van Dijck, J. (2004). Trepanation. Brain Stories and the MRI-Art of Krien Clevis. In C. Santing, & K. Clevis (Eds.), The Eternal Body (pp. 36-46).
  • van Mechelen, M. K. (2004). The representation of the true artifial body. In G. Ipsen, & W. Nöth (Eds.), Körper - Verkörperung - Entkörperung / Body - Embodiment - Disembodiment (pp. 42-49). Universität Kassel.
  • van Mechelen, M. K. (2004). Footsteps on the Screen: Net Art, its project, its orientation, its destination. VISIO: The Journal of the International Association for Visual Semiotics, 8(1-2), 399-399.
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