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Results: 34,634
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  • Elsaesser, T. (2006). The Camera in the Kitchen: Grete Schütte-Lihotsky and Domestic Modernity. In C. Schönfeld (Ed.), Practicing Modernity: Female Creativity in the Weimar Republic (pp. 27-49). Königshausen & Neumann.
  • Elsaesser, T. (2006). Double occupancy: space, place and identity in European cinema of the 1990s. Third Text, 20(6), 647-658. https://doi.org/10.1080/09528820601068716
  • Pas, N. G. (2006). 'Op weg naar de Franse presidentsverkiezingen 2007. Deel II. Socialisten'. En Route, 107, 36-39.
  • Elsaesser, T. (2006). Gewalt im Kino: das Regime der Brüder. In A. von der Heiden (Ed.), Ideologische Mechanismen der Gewalt (pp. 135-164). VDG.
  • Pas, N. G. (2006). 'Op weg naar de Franse presidentsverkiezingen 2007. Deel I. Tussen revolutionairen en reactionairen'. En Route, 106, 28-32.
  • Wintle, M. J. (2006). 'Diet and Modernization in the Netherlands during the Nineteenth and Early Twentieth Centuries'. In T. M. Wilson (Ed.), Consuming Cultures: food, drink and identity in Europe (pp. 63-84). Rodopi.
  • Wintle, M. J. (2006). 'De kaart als cartoon (1870): nationale stereotypen en het Europees Concert'. Geografie, 15(7), 24-25.
  • Wintle, M. J. (2006). 'The Construction and Allocation of Identity through Images and Imagery: an introduction'. In M. J. Wintle (Ed.), Image into Identity: constructing and assigning identity in a culture of modernity (pp. 15-30). Editions Rodopi.
  • Lavéant, K. (2006). Le roi et son double: a Royal Entry to Late-Medieval Abbeville. In J. van Leeuwen (Ed.), Symbolic Communication in Late-Medieval Towns (pp. 43-64). (Mediaevalia Lovaniensia; Vol. 37). Leuven University Press.
  • van Eikema Hommes, M. H., & van de Wetering, E. (2006). ''Licht en kleur bij Caravaggio en Rembrandt, door de ogen van hun tijdgenoten'. In D. Bull (Ed.), Rembrandt-Caravaggio (pp. 164-179). Waanders / Rijksmuseum.
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