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Results: 34,634
Number of items: 34,634
  • Open Access
    van der Liet, H. (2008). Times, they are a-changing: on Herman Bang’s Copenhagen. Scandinavian Newsletter, 12, 36-37.
  • Open Access
    Sluijter, E. J. (2008). Determining value on the art market in the Golden Age: an introduction. In A. Tummers, & K. Jonckheere (Eds.), Art market and connoisseurship : a closer look at paintings by Rembrandt, Rubens and their contemporaries (pp. 7-28). (Amsterdam studies in the Dutch Golden Age). Amsterdam University Press.
  • Open Access
    Pasi, M. (2008). Theses de magia. Societas Magica Newsletter, 20, 1-5, 7-8. https://societasmagica.org/userfiles/files/Newsletters/docs/SMN_Fall_2008_Issue_20.pdf
  • Open Access
    Lovink, G. (2008). The society of the query and the Googlization of our lives: a tribute to Joseph Weizenbaum. Web publication or website, Eurozine. https://www.eurozine.com/the-society-of-the-query-and-the-googlization-of-our-lives/
  • Open Access
    van der Liet, H. (2008). Ildmesterens lærlinge: en strøm af ordbilleder af, om, til og til ære for Preben Major Sørensen i Ildfiskens ny nummer [Review of: M. Eslund (2008) Ildfisken nr. 39, on Preben Major Sørensen]. Litteraturmagasinet Standart, 22(3), 62-63.
  • Open Access
    Kersenboom, S. (2008). Dort wo Shiva tanzt. In J. Beltz (Ed.), Shiva Nataraja: der kosmische Tänzer (pp. 38-78). Museum Rietberg.
  • Open Access
    de Groot, R. (2008). Complex transmission in a literate music tradition: a case study. Dutch Journal of Music Theory, 13(3), 220-230. http://upers.kuleuven.be/sites/upers.kuleuven.be/files/page/files/2008_3_3.pdf
  • Open Access
    van Ree, E. (2008). Kinderporno, pedofilie en de tijdgeest. De Helling, 21(2), 8-13. http://www.dehelling.net/artikel/444/
  • Open Access
    Kolfin, E. (2008). 58: Bernard Picart: Le Repas de Paques chez les Juifs Portugais, 1727. In E. Kolfin, & E. Schreuder (Eds.), Black is beautiful: Rubens tot Dumas (pp. 245, 261). De Nieuwe Kerk [etc.].
  • Open Access
    van Dijck, J. (2008). Future memories: the construction of cinematic hindsight. Theory, Culture and Society, 25(3), 71-87. https://doi.org/10.1177/0263276408090658
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